donjohannes
Member
Adding to David P's comments on the Vision 3.
As of yesterday, I own the Miller Solo 2 stage Carbon fibre legs and the Vinten Vision 3 head. So here my 2cents - based on first impressions / handling.
I took a long time reading though the posts on this site, was close to order this and that and in the end decided for that combo which I ordered through b&h.
The investment at 1850 USD (including shipping) was hefty, but I think it will be exactly that : an investment! I needed something that would not ruin an otherwise great picture from the camera. Unlike David I mainly needed exact slow pans as opposed to the quick changes in direction for sports
Coming from an Manfrotto 501 HDV I'm naturally excited with what I unpacked last night. First movements with the head out of the box were great. Then, after inserting the spring for the weight I was a bit discouraged noticing some very slight "back-lash" when coming to the end of a pan. One of the reasons I decided to put some money on the table had been to get rid of exactly that - as the 501 suffered a lot from that back-lash behaviour. Other than that of course with the 501 you had to decide between stickiness and unacceptable speed variations in pans depending on your drag settings. That problem is definitely gone with the V3
I had read David's comments about the back lash before my purchase, but since all other owners seemed happy, I was hoping is was an isolated problem.
With the Vision 3 it turns out, that by carefully tweaking the weight of the camera or spring to a more optimal setting (in my case adding the follow focus to the rig for additional weight) I got the butter smooth pans (i.e. the perfect start AND stop) I was hoping for. I'm really happy now, even when I attach a tele lense.
As weight varies (greatly) with different lenses attached to the 35mm adapter and changing the spring all the time would be inconvenient, I have also looked at different adjustments one could do on the operator side and found that the right amount of pressure, the handle bar position and the hand resting for 2 seconds on the handle bar after the pan yields great results even if the camera is not optimally balanced.
Greetings,
Fr. Johannes
As of yesterday, I own the Miller Solo 2 stage Carbon fibre legs and the Vinten Vision 3 head. So here my 2cents - based on first impressions / handling.
I took a long time reading though the posts on this site, was close to order this and that and in the end decided for that combo which I ordered through b&h.
The investment at 1850 USD (including shipping) was hefty, but I think it will be exactly that : an investment! I needed something that would not ruin an otherwise great picture from the camera. Unlike David I mainly needed exact slow pans as opposed to the quick changes in direction for sports
Coming from an Manfrotto 501 HDV I'm naturally excited with what I unpacked last night. First movements with the head out of the box were great. Then, after inserting the spring for the weight I was a bit discouraged noticing some very slight "back-lash" when coming to the end of a pan. One of the reasons I decided to put some money on the table had been to get rid of exactly that - as the 501 suffered a lot from that back-lash behaviour. Other than that of course with the 501 you had to decide between stickiness and unacceptable speed variations in pans depending on your drag settings. That problem is definitely gone with the V3
I had read David's comments about the back lash before my purchase, but since all other owners seemed happy, I was hoping is was an isolated problem.
With the Vision 3 it turns out, that by carefully tweaking the weight of the camera or spring to a more optimal setting (in my case adding the follow focus to the rig for additional weight) I got the butter smooth pans (i.e. the perfect start AND stop) I was hoping for. I'm really happy now, even when I attach a tele lense.
As weight varies (greatly) with different lenses attached to the 35mm adapter and changing the spring all the time would be inconvenient, I have also looked at different adjustments one could do on the operator side and found that the right amount of pressure, the handle bar position and the hand resting for 2 seconds on the handle bar after the pan yields great results even if the camera is not optimally balanced.
Greetings,
Fr. Johannes