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This is not intended to be harsh, but if you're shooting in 4K with a GH4 you should upgrade your NLE.
What would you suggest? I'm taking my footage through GoPro to convert to Cineform and then out to 4K. I then bring this into an AE CC 2014 1080 32bit CIE RGB space timeline then to SpeedGrade, if desired, and finally to Premiere Pro CC 2014. Since GoPro will not allow me to trim non-GoPro footage, I'm just using MPEGStreamclip to rough trim footage to speed up the GoPro rendering times.
What would you suggest? I'm taking my footage through GoPro to convert to Cineform and then out to 4K. I then bring this into an AE CC 2014 1080 32bit CIE RGB space timeline then to SpeedGrade, if desired, and finally to Premiere Pro CC 2014. Since GoPro will not allow me to trim non-GoPro footage, I'm just using MPEGStreamclip to rough trim footage to speed up the GoPro rendering times.
What would you suggest? I'm taking my footage through GoPro to convert to Cineform and then out to 4K. I then bring this into an AE CC 2014 1080 32bit CIE RGB space timeline then to SpeedGrade, if desired, and finally to Premiere Pro CC 2014. Since GoPro will not allow me to trim non-GoPro footage, I'm just using MPEGStreamclip to rough trim footage to speed up the GoPro rendering times.
To all those concerned about my workflow. I am converting to Cineform so when I take it into an AE 1080 32bbit RGB space it will convert an 8bit file to a 10 bit file giving me smoother gradients and more latitude for editing. In addition, I can pan and zoom in or out to recompose the frame as desired. When all the AE effects are done the file is exported to PP CC for final processing . A more detailed reasoning is described at www.eoshd.com/content/12140/discovery-4k-8bit-420-panasonic-gh4-converts-1080p-10bit-444.