SHORT: Thriller-short, with horror twist! RED WALKER!

J

Jardoss

Active member
Hey there!
After hard work, we’ve finally wrapped the production of our new short “RED WALKER”. And, of course, we’re crazy excited to hear some feedback from you guys :)


Nathan, a relentless cop married to his job, encounters an ethical problem when his past suddenly haunts him. He's forced to leave his job as police behind, or eliminate his personal agenda, as the whole world counts on his single evaluation in this thrilling situation.


The film is about 3 min long, featuring a Canadian actress, one from Norway, and another Norwegian with an acting background from New York. We shot it on Canon 7D with an Anamorphic adapter to get that cinematic analog vibe.If there’s any questions concerning the technical aspect of the film, feel free to comment and we’ll get back to you :)


Here’s the short: http://www.youtube.com/watch?v=wK2BuwH-4_M


We’ve made a couple of films before, including a sci-fi feature, so have a look if this was interesting: www.youtube.com/JARANDandJENS
We also have a facebook, if you’d like to get in touch or stay up to date with content: www.facebook.com/JARANDandJENS


Enjoy, and give us a little heads-up in the comments-section about what you think! We’re constantly looking for improvement, so a little input from you guys only makes good better :)


Looking forward to hearing from you,
Jarand & Jens
 
Hi guys, that was impressive stuff.
So the guy the cop shot was actually the cure?

Did you use an actual anamorphic lens on this?
Fantastic look to the piece.
 
Looks great, and I love the sound work - Squeaky clean! And the audio at the end is just spot on.
The one thing I kept wishing for throughout the film was some eye-light
 
It was awesome, can you explain this more? It was in your youtube comments.

We used a canon 50mm 1.8, as well as an anamorphic projection lens mounted on top of the canon lens, thats why it's all super widescreen and lens flary^^ So in other words, we didn't crop the frame to look like widescreen, it's true widescreen!

So you can buy a lens to put on top of the lens? Looks great just curious how you made it happen. Thanks.
 
dwyz said:
Hi guys, that was impressive stuff.
So the guy the cop shot was actually the cure?

Did you use an actual anamorphic lens on this?
Fantastic look to the piece.
Click to expand...

That's right! The guy was the cure, the "thing" they talked about from the very start :)
We used an anamorphic adapter to mount on the Sigma lens we shot with. Very simple.

Tolin said:
Looks great, and I love the sound work - Squeaky clean! And the audio at the end is just spot on.
The one thing I kept wishing for throughout the film was some eye-light
Click to expand...

Yea, we struggled with this. Only had two lights available- but totally agree. It's the one small thing the cinematography needed.

prexdealer said:
It was awesome, can you explain this more? It was in your youtube comments.

We used a canon 50mm 1.8, as well as an anamorphic projection lens mounted on top of the canon lens, thats why it's all super widescreen and lens flary^^ So in other words, we didn't crop the frame to look like widescreen, it's true widescreen!

So you can buy a lens to put on top of the lens? Looks great just curious how you made it happen. Thanks.
Click to expand...

I answered this above; but you're right. You put it on top of the lens. The reason the actors stand so still, is because it's impossible to focus with. You have to focus with the lens, and the adapter, simultaneously. It gives a great look though :)

Thanks,
Jarand
 
You must log in or register to reply here.
Back
Top