I´ve mentioned in another thread that I just started a docu TV series with my brand new 101.
I have the Oly Zuiko 14-35 as my main lens, a set of Canon FD´s with a Novoflex adaptor where I will use the 50mm 1.4 probably for interviews.
I realized on my first day of shooting that due to the nature of the series I would need a really wide zoom lens. (I will shoot quite a bit inside cramped airplanes/cockpits)
I took my camera to a shop today to test out 3 different lense, I list them in the order I thought I wanted them:
The Oly 7-14mm Zuiko, as it would match my other Zuiko quite nicely
The Oly 9-18mm , because it was half the price and got very good reviews
The Panny 7-14mm, well it was there and I might as well try it
They all have a near focus around 25cm
I thought to share my experience so maybe it can help someone out that are not in the position to try them in person
The Zuiko, like the 14-35mm is huge compared to the 9-18mm (and the Panny as well)
It feels great, looked great, but was very big a concern to me due to the cramped spaces.
On the wide end it´s just too wide IMHO for video, but it could save the day if I really had to get a shot, and you don´t have to use it at it´s widest of course.
The Oly 9-18 looked like a toy in comparison, but for my need the size was perfect. The 9mm was more than wide enough I thought. As with it´s big brother it had very little distortion (amazingly little I thaught).
So I put on the Panny, another very small lens (a bit bigger), but at least it was black and looked more professional than the 9-18 (I know that souldn´t matter, but to certain clients it does;-))
Distortion wise this one was also very very good I think, but the focus ring didn´t feel very smooth. It was harder than the other two, but not as smooth.
So, firstly I decided against the Zuiko 7-14 as it was just too big for the locations I would bring it on this job.
I was set on the Oly 9-18mm as I thought it was more than wide enough, but then realized it had serious breathing problems, I mean serious.
SO I put the Panny back on to double check that one, and it had no breathing to speak of at all. Amazingly little for a still lens I thought (guess they had the 101 in the back of their mind when they made it ;-))
The Panny was in the middle price wise and part of me wanted to spend a little more to get the Zuiko (nice to have matching lenses, it looks good, it´s sealed etc etc), but in the end I decided on the Panny! The one I trie just for "fun" , there you go...
My reasoning was that the super wide is such a specialty lens, that when I need it (on this job) it would be nice to "carry it in the pocket" sort to speak, so I could just quickly throw it on and off.
I think they are all quality glass (I read a lot of reviews before I went as I only had my camera monitor to judge from in the shop), so if you need a ultra wide it really comes down to what you need it for and how the form factor fits your shooting style I think.
I would advise against the 9-18mm for video due to it´s heavy breathing though
I have the Oly Zuiko 14-35 as my main lens, a set of Canon FD´s with a Novoflex adaptor where I will use the 50mm 1.4 probably for interviews.
I realized on my first day of shooting that due to the nature of the series I would need a really wide zoom lens. (I will shoot quite a bit inside cramped airplanes/cockpits)
I took my camera to a shop today to test out 3 different lense, I list them in the order I thought I wanted them:
The Oly 7-14mm Zuiko, as it would match my other Zuiko quite nicely
The Oly 9-18mm , because it was half the price and got very good reviews
The Panny 7-14mm, well it was there and I might as well try it
They all have a near focus around 25cm
I thought to share my experience so maybe it can help someone out that are not in the position to try them in person
The Zuiko, like the 14-35mm is huge compared to the 9-18mm (and the Panny as well)
It feels great, looked great, but was very big a concern to me due to the cramped spaces.
On the wide end it´s just too wide IMHO for video, but it could save the day if I really had to get a shot, and you don´t have to use it at it´s widest of course.
The Oly 9-18 looked like a toy in comparison, but for my need the size was perfect. The 9mm was more than wide enough I thought. As with it´s big brother it had very little distortion (amazingly little I thaught).
So I put on the Panny, another very small lens (a bit bigger), but at least it was black and looked more professional than the 9-18 (I know that souldn´t matter, but to certain clients it does;-))
Distortion wise this one was also very very good I think, but the focus ring didn´t feel very smooth. It was harder than the other two, but not as smooth.
So, firstly I decided against the Zuiko 7-14 as it was just too big for the locations I would bring it on this job.
I was set on the Oly 9-18mm as I thought it was more than wide enough, but then realized it had serious breathing problems, I mean serious.
SO I put the Panny back on to double check that one, and it had no breathing to speak of at all. Amazingly little for a still lens I thought (guess they had the 101 in the back of their mind when they made it ;-))
The Panny was in the middle price wise and part of me wanted to spend a little more to get the Zuiko (nice to have matching lenses, it looks good, it´s sealed etc etc), but in the end I decided on the Panny! The one I trie just for "fun" , there you go...
My reasoning was that the super wide is such a specialty lens, that when I need it (on this job) it would be nice to "carry it in the pocket" sort to speak, so I could just quickly throw it on and off.
I think they are all quality glass (I read a lot of reviews before I went as I only had my camera monitor to judge from in the shop), so if you need a ultra wide it really comes down to what you need it for and how the form factor fits your shooting style I think.
I would advise against the 9-18mm for video due to it´s heavy breathing though