Illya Friedman
Well-known member
There is a lot of needless hysteria that is repeated over and over about the GH1 compression. I think it's mostly reported and re-reported by people who watch web videos and don't actually own a GH1. Until recently, I thought that the issue was dead but clearly with what I read online it is not.
At a conference this past weekend Liam Finn showed many shots from his feature film Rejouer, there was even a section of the presentation called "The Great Unknown" which talked about and showed the problems of the GH1.
Undoubtedly the GH1 compression is a weak point of the camera, and it would be wonderful if it were improved- however, How many shots do you think contained the dreaded "mud" compression issues?
zero!
That's right, none.
There were other surprises/problems, but after hours and hours of material being shot and edited, the "mud" that has permeated the web/blogs in relation to the GH1 is not present. I do mean n o t p r e s e n t.
What did Liam and team do that was different?
They didn't shoot with the 14-140 except on two occasions very briefly (one had a problem with exposure, the other focus, but no "mud"), they didn't shoot "garbage cam" by swinging the camera wildly, and they didn't fill the frame with fast moving objects without an subject/point of focus in the foreground. Also the camera was 100% manual, no auto anything.
While not shown in the presentation, green screen was shot successfully, generally considered the torture test of compression. After the screening- in which 80% of the material had no color correction, I was treated to a barrage of questions and comments all of which were extremely complementary.
If I'm not mistaken, all the pro camera folks on DVXuser have weighed in on the "mud" issue and reported it a non-issue. After 18-days (of mostly hand held and tracking shots) and over 50 cards of GH1 images without "mud", I think it's safe to say if you are seeing "mud" there's a good chance the "mud" is being introduced by the shooter and not the camera.
I hope that next time someone thinks to complain about "mud" artifacts in the GH1, they first take a look at the startling good work done on REJOUER.
At a conference this past weekend Liam Finn showed many shots from his feature film Rejouer, there was even a section of the presentation called "The Great Unknown" which talked about and showed the problems of the GH1.
Undoubtedly the GH1 compression is a weak point of the camera, and it would be wonderful if it were improved- however, How many shots do you think contained the dreaded "mud" compression issues?
zero!
That's right, none.
There were other surprises/problems, but after hours and hours of material being shot and edited, the "mud" that has permeated the web/blogs in relation to the GH1 is not present. I do mean n o t p r e s e n t.
What did Liam and team do that was different?
They didn't shoot with the 14-140 except on two occasions very briefly (one had a problem with exposure, the other focus, but no "mud"), they didn't shoot "garbage cam" by swinging the camera wildly, and they didn't fill the frame with fast moving objects without an subject/point of focus in the foreground. Also the camera was 100% manual, no auto anything.
While not shown in the presentation, green screen was shot successfully, generally considered the torture test of compression. After the screening- in which 80% of the material had no color correction, I was treated to a barrage of questions and comments all of which were extremely complementary.
If I'm not mistaken, all the pro camera folks on DVXuser have weighed in on the "mud" issue and reported it a non-issue. After 18-days (of mostly hand held and tracking shots) and over 50 cards of GH1 images without "mud", I think it's safe to say if you are seeing "mud" there's a good chance the "mud" is being introduced by the shooter and not the camera.
I hope that next time someone thinks to complain about "mud" artifacts in the GH1, they first take a look at the startling good work done on REJOUER.
