I use both Looks and Colorista.Did you use bullet looks for the color grading? Beautiful shots!
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I use both Looks and Colorista.Did you use bullet looks for the color grading? Beautiful shots!
I'm a film and RED guy so I'm pretty hard on the FS100 and its downfalls - however, I will say that the kit lens is really decent. A little slow but with as sensitive as the sensor is, you can confidently gain up to make up the difference. I'm also very impressed with the camera's image stabilization. I can hand-hold the camera in a zoom and make the shoot appear as if was on a tripod. The autofocus is nice, too, though a little laggy and quirky about what it focuses on (it often prefers the background raher than your subject). In summary, I highly recommend the kit lens.Rather than start a new thread, I am just bumping this one.I am on the verge of picking up the FS100 with the kit lens, but I need a few votes of confidence to pull the trigger. I primarily shoot corporate videos (talking heads & some live events) commercials (a lot of food shoots), music videos and the like.My previous recent cameras have been the DVX100 and Canon XHA1, both of which I've unloaded.I am currently using a 60D and still loving the DSLR look. I have been doing a lot of high-end corporate work. I need a camera with XLRs and all the things I've been desperately missing using DSLRs. I don't want to trick out a DSLR, I don't want to rely on a zoom recorder. I want to get back to using a form-factor camera with the potential for a filmic look and shallow DOF if needed.The kit lens seems nice for run & gun from what I've seen. but I have some nice lenses for my Canons like the Tokina 11-16 and a EF 24-70. I would like integrate them. The FS100 price point is about as high as I can go right now. But I'm loving all the work I see here. Is this the right camera for me? Any insight or personal feedback would be appreciated.
For what you're doing this camera is perfect. If you love the DSLR look, you'll find this camera to be a step above in terms of quality and features. It's extremely versatile and easy to operate. The workflow will be very familiar to you.
It's a great tool for filming a talking head and then ripping it off the tripod for some cinematic b-roll. Turn on the stabilizer, sway your hips and this thing will give you a surprisingly smooth "dolly" shot.
As a bonus, this camera looks great, so clients don't cringe when you show up to a video shoot with a still camera.
I won't go into the cam's downfalls because coming from a DSLR they won't matter to you.
I'd go for it.