dougspice
Veteran
Hey everyone. I'm working as producer for a short for the Army, and there are some unique challenges. The main one is finding locations near L.A. that pass for Baghdad. I thought I'd do a mini-diary here just to share some of those challenges and (hopefully) how we solved them with not a lot of money. Hopefully someone will find it interesting, helpful, or (who knows) maybe even give us a pointer or two.
So. The short is about some soldiers forced to make a difficult decision. This difficult decision (like most of them these days!) takes place in Iraq; specifically outside a small home in Baghdad, where they have stopped to search a home.
With a lot of CG, a lot of places here could be made to work, but again the budget for that sort of work is small. So we need the best possible starting point. The director has already spent months touring various Army MOUT sites from Louisiana to Kentucky, and no luck. We can't afford to shoot abroad, even in Mexico, so we're basically stuck here in California. In the best case, we stay within the 50 mile zone, because if we go outside that we have to pay significantly more to our actors.
So the choices are practical locations or a set. I've always preferred practical locations whenever possible, but this time we're talking about making over a place to look like an entirely different country... not to mention one that's in the middle of a civil war.
So. The short is about some soldiers forced to make a difficult decision. This difficult decision (like most of them these days!) takes place in Iraq; specifically outside a small home in Baghdad, where they have stopped to search a home.
With a lot of CG, a lot of places here could be made to work, but again the budget for that sort of work is small. So we need the best possible starting point. The director has already spent months touring various Army MOUT sites from Louisiana to Kentucky, and no luck. We can't afford to shoot abroad, even in Mexico, so we're basically stuck here in California. In the best case, we stay within the 50 mile zone, because if we go outside that we have to pay significantly more to our actors.
So the choices are practical locations or a set. I've always preferred practical locations whenever possible, but this time we're talking about making over a place to look like an entirely different country... not to mention one that's in the middle of a civil war.