cyvideo
Veteran
A show that I really enjoyed from a technical production point of view. Which resulted in, from a purely subjective point of view, a very pleasurable viewing experience. A bit of a look behind the scenes, courtesy of Adriano Goldman ASC, BSC, ABC.
Whether you like this sort of programming or visual style is up to the individual. But, I think there is a fair bit of background here of interest to production people as to how some of the looks are achieved. Examples of technique that we can all learn from that we may be able to use in our own productions.
Certain parts of the series are fairly close to me. Series three covered the shocking Oct 1966 Aberfan disaster in Wales. The reason it's close is that I was the first cameraman to arrive on the scene. I was there for three days, covering what was for me one of the major experiences of my life as a cameraman. From the greatest sorrows and fears to the jubilation when life was found. When I watched the Aberfan segment, the hairs stood up on my neck and arms. It was so well portrayed and filmed, uncannily realistically tied to my memories. I'll never forget the first presser. It was harrowing, and portrayed visually almost how I remember it, detail for detail.
Below is the first still shot I took with my trusty Nkon F. On film, I was shooting on a DR70 with 100 foot daylight loads and having to rate the 125 ASA film at 400 as it was that dark and misty, even though it was about 10 in the morning when I first rolled.
Chris Young
"The Crown | Framing the Legacy
FYSEE More - Cinematography
Emmy® Award-winning director of photography Adriano Goldman, ASC, BSC, ABC takes us behind the lens for an inside look at how he captured the look of the acclaimed drama series across all six seasons."
https://series.netflixawards.com/dr...he-crown-framing-the-legacy?mc_cid=ae62140c8c
Whether you like this sort of programming or visual style is up to the individual. But, I think there is a fair bit of background here of interest to production people as to how some of the looks are achieved. Examples of technique that we can all learn from that we may be able to use in our own productions.
Certain parts of the series are fairly close to me. Series three covered the shocking Oct 1966 Aberfan disaster in Wales. The reason it's close is that I was the first cameraman to arrive on the scene. I was there for three days, covering what was for me one of the major experiences of my life as a cameraman. From the greatest sorrows and fears to the jubilation when life was found. When I watched the Aberfan segment, the hairs stood up on my neck and arms. It was so well portrayed and filmed, uncannily realistically tied to my memories. I'll never forget the first presser. It was harrowing, and portrayed visually almost how I remember it, detail for detail.
Below is the first still shot I took with my trusty Nkon F. On film, I was shooting on a DR70 with 100 foot daylight loads and having to rate the 125 ASA film at 400 as it was that dark and misty, even though it was about 10 in the morning when I first rolled.
Chris Young
"The Crown | Framing the Legacy
FYSEE More - Cinematography
Emmy® Award-winning director of photography Adriano Goldman, ASC, BSC, ABC takes us behind the lens for an inside look at how he captured the look of the acclaimed drama series across all six seasons."
https://series.netflixawards.com/dr...he-crown-framing-the-legacy?mc_cid=ae62140c8c
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