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John_Hudson said:I did wonder about this Isaac.
What was the point of this shootout ? It does seem a bit late.
:cheesy: :laugh:5) coffee wasn't very fresh
As much as I love staring at res charts :happy: , I think actual filmmaking is the best real world test. You can read a shootout and it might say that the FX1 is worthless for filmmaking, and then you'll see a film by Macgregor that is visually amazing.
I feel like a broken :violin: saying this, but it's worth mentioning every few months, we're getting to the point where the limiting factors are talent and creativity.
That doesn't mean I won't have camera lust when Red is released.
It is unfortunate ...
DavidBeier said:^
From what I understand, the MPEG2 compression just looks lousy.
There's a vast difference between using MPEG-2 compression for acquisition and using it as a delivery codec.Stevet said:Hmm..
I guess we better never make DVDs or the upcoming HD DVD formats that use MPEG2 and MPEG variants.
I'm with androbot on that point -- the 720/60p is just phenomenal for sports. I still think that UCLA basketball footage we shot was some of the best-looking stuff!androbot2084 said:but the HVX200 is the only camera that can capture 720p60 with full portability making it the ideal camera for the fast action sports.
androbot2084 said:It is unfortunate that everyone is so hung up on that 24p film look that they don't concentrate on the HVX200 main advantage which is the ability to capture 720p at a full 60 frames per second. It is true that as a fixed studio camera and with and additional $10,000 worth of recording equipment 720p60 can be captured from the JVC but the HVX200 is the only camera that can capture 720p60 with full portability making it the ideal camera for the fast action sports.