Stu Siegal
Well-known member
Looked outside my window and figured I'd crack off a few shots of the supermoon to see what I'd get.
http://vimeo.com/21228555
Used the Lumix 14 -140, longest focal length I currently own
ISO 800 (except for shot 3, 3200)
F stops ranging between f 5.8 and 20
WB 2.9K
Settings are pretty much Barry Green's Low Noise
Film Cam
Detail -7
Vdetail -4
Detail Coring +3
Chroma -4
Master ped -2
Knee Auto
Matrix – Norm 2
Gamma – Bpress (shot 1 may be Cine D)
Only grade is extremely minimal crushing of blacks.
The vimeo encode isn't nearly doing justice to the level of detail in the clouds, particularly the next to last shot. All in all, shooting in partially cloud covered moonlight with a slow lens and a low ISO, this thing was practically seeing in the dark.
Music: "Mellon Collie & The Infinite Sadness"
http://vimeo.com/21228555
Used the Lumix 14 -140, longest focal length I currently own
ISO 800 (except for shot 3, 3200)
F stops ranging between f 5.8 and 20
WB 2.9K
Settings are pretty much Barry Green's Low Noise
Film Cam
Detail -7
Vdetail -4
Detail Coring +3
Chroma -4
Master ped -2
Knee Auto
Matrix – Norm 2
Gamma – Bpress (shot 1 may be Cine D)
Only grade is extremely minimal crushing of blacks.
The vimeo encode isn't nearly doing justice to the level of detail in the clouds, particularly the next to last shot. All in all, shooting in partially cloud covered moonlight with a slow lens and a low ISO, this thing was practically seeing in the dark.
Music: "Mellon Collie & The Infinite Sadness"
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