kyle.presley
Well-known member
Lately, I've done a lot of Super 8 Shooting. My most recent project has been to push this small-gauge medium to its limits. This is what I've come up with:
Please Download the high Quality H.264 Quicktime source file here. Be sure you are logged into Vimeo to be able to access the file.
Project Details:
Format: Max 8 (Super Duper 8)
Aspect Ratio: 2.35:1
Camera: Beaulieu 5008s Multispeed, modified to shoot in the Max 8 format
Lenses: Fujinon 16mm F/1.4, 1.5 Megapixel Lens (CCTV); Anamorphot 16/32/1.5x Bolex/Möller Anamorphic Lens
Film:
Kodak Vision2 50D (5201) from Pro8mm
Lab:
Pro8mm, Burbank, CA
Scan:
Millenium M2, 1080p24 to ProRes 422 Codec
Edit:
Final Cut Pro 6, ProRes 422 23.976 Timeline
Post Processing:
Neat Video Denoise Plugin Via Final Cut Pro 6
Anamorphic De-Squeeze via Adobe After Effects CS3
Sharpening via Adobe Photoshop CS3
I would call the test a Success, what do you think? Remember, this is Super 8; a medium designed for amateurs.
Max 8 format info here
More about Pro8mm here
Please Download the high Quality H.264 Quicktime source file here. Be sure you are logged into Vimeo to be able to access the file.
Project Details:
Format: Max 8 (Super Duper 8)
Aspect Ratio: 2.35:1
Camera: Beaulieu 5008s Multispeed, modified to shoot in the Max 8 format
Lenses: Fujinon 16mm F/1.4, 1.5 Megapixel Lens (CCTV); Anamorphot 16/32/1.5x Bolex/Möller Anamorphic Lens
Film:
Kodak Vision2 50D (5201) from Pro8mm
Lab:
Pro8mm, Burbank, CA
Scan:
Millenium M2, 1080p24 to ProRes 422 Codec
Edit:
Final Cut Pro 6, ProRes 422 23.976 Timeline
Post Processing:
Neat Video Denoise Plugin Via Final Cut Pro 6
Anamorphic De-Squeeze via Adobe After Effects CS3
Sharpening via Adobe Photoshop CS3
I would call the test a Success, what do you think? Remember, this is Super 8; a medium designed for amateurs.
Max 8 format info here
More about Pro8mm here