For all those who have used DVX-100 and Avid, I'm curious about how different frame rates worked out.
I am editing into an Avid Meridien, on a project that could enjoy looking like film but will definitely output to an NTSC 30 f.p.s. DVCAM tape.
What are my options for recording on the DVX-100 and how do they affect my product?
I am going to letterbox our image to 1.85 in the Avid, but am hesitant to shoot 24 fps and edit in a 24 fps project and then output to 30. It doesn't seem to make much sense. I would get, it seems to me, a stutter effect, but there is no guarantee it will look anything like film flicker.
I can see why recording 24 would be good for a film-out application, but not sure how it relates to a project ending up on videotape.
I have heard about 60i, and wonder if I could use a regular DVCAM deck to then input into the Avid. I also wonder how it transfers into a regular 30 fps video project. Any other technical concerns about using 60i.
In short, I first and foremost want a video signal that will transfer easily into my Avid and then out to DVCAM NTSC as final product. Sure, for aesthetic reasons I might like it to look more like film, but if it causes technical headaches I am all for an easy answer.
Any suggestions? Any and all would be very welcome.
bonafide7
I am editing into an Avid Meridien, on a project that could enjoy looking like film but will definitely output to an NTSC 30 f.p.s. DVCAM tape.
What are my options for recording on the DVX-100 and how do they affect my product?
I am going to letterbox our image to 1.85 in the Avid, but am hesitant to shoot 24 fps and edit in a 24 fps project and then output to 30. It doesn't seem to make much sense. I would get, it seems to me, a stutter effect, but there is no guarantee it will look anything like film flicker.
I can see why recording 24 would be good for a film-out application, but not sure how it relates to a project ending up on videotape.
I have heard about 60i, and wonder if I could use a regular DVCAM deck to then input into the Avid. I also wonder how it transfers into a regular 30 fps video project. Any other technical concerns about using 60i.
In short, I first and foremost want a video signal that will transfer easily into my Avid and then out to DVCAM NTSC as final product. Sure, for aesthetic reasons I might like it to look more like film, but if it causes technical headaches I am all for an easy answer.
Any suggestions? Any and all would be very welcome.
bonafide7