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normally you should apply Resolve after the edit - that's why it's called postproduction. Make your basic edit in your NLE, render your timeline, export an xml for Resolve roundtrip. There is no reason to be upset on Blackmagic design because there is a good reason not to operate in color grading with compressed GOP instead of intra files. Even if it works with Canon and Panasonic files I would not recommend using AVCHD in Resolve
as far as I remember it just re-wraps from .mts to QT .mov . It's still compressed GOP H264.I use an app called AVCHD to MOV on my mac to transcode to Prores. Works a treat!
It would seem there's a cadre of folks who really think it's OK to edit in a compressed capture format. Go figure.
Re-Wrapping works fine (eg Clip Wrap)...but problem for PC (Win) users is no Re wrap applications are available. Everything is transcode...and pointless if one is trying to maintain timecode integrity and source generation.
So I assume you think there is a gain and a benefit in transcoding from AVCHD before editing. (if one happened to shoot on AVCHD)
What exactly would you recommend transcoding to ... and where do you think the "data" magically comes from?
Go figure the logic in that.
why do you ask if you figured all out ;-) Just complain to Sony and Blackmagicdesign.
I'm working on a fast/light transcode/rewrap app for Windows that will work on FS700 .mts files (and A7S, NX1 etc.). Tested it and works fine with Resolve (latest build): it copies H.264 and PCM audio without transcoding to an MOV container (uses ffmpeg). App also supports transcoding to ProRes if desired. Haven't tested timecode, but if embedded in original H.264 stream, should work.