adamr316
Well-known member
Hey guys,
I think I've posted this on another forum but not in its own thread. Through browsing various forums and with my own tests here are my conclusions on what to shoot for best downconversion to standard definition on a DVD. So when anyone googles this they'll find this info.
For 60i standard definition - Shoot 720/60p
For 24p standard definition - Shoot 1080/24p and edit natively at 23.98p (no 2:3 pulldown or any of that stuff)
For 30p footage - Shoot natively if shooting exclusively for the web or shoot 1080/60i and use VirtualDub's YADIF deinterlace method.
In whatever software you have make sure 16:9 flags and 23.98p>29.97 flags are set properly. This is vitally important to storing 24p footage on a DVD. When done properly 24p footage (which is 480p lines of resolution in NTSC countries) looks damn good and almost indistinguishable from HD on smaller TVs with a Blu Ray, HD DVD or similar upconverting player. With larger HDTVs close-up and medium shots look almost-HD...you can really only tell with wide establishing shots and the like.
The reason it's better to shoot 720/60p if going to interlaced standard def is two-fold. First, you are starting at a closer resolution to standard def. Second, you are shooting in a progressive format. Both of these technical specs make for easier math, which software downconversion must do. The math on interlaced to interlaced is not so good and may never be.
The only exception to this rule is if you own a hardware downconverter. It may be better shooting 1080/60i but you should and probably already have done your own tests.
480i footage from 720p looks darn good. Not as good as 24p footage but as good as high end SD cameras. At least that's my opinion on it.
On a side note make sure you're converting your colorspace from Rec. 709 (HD) to ITU-R BT. Rec. 601 (SD). Your software may or not do it without you knowing so you may need to consult the user manual or contact your software maker.
I personally use VirtualDub and the Lanczos3 resize filter with "interlace" unchecked in the dialog box. If I do shoot 1080/60i or receive this material I resize (again in VirtualDub with the "interlaced" box checked) and resize to 480i. I experimented with using yadif like with my 30p web video method but there was way too much flicker.
I think I've posted this on another forum but not in its own thread. Through browsing various forums and with my own tests here are my conclusions on what to shoot for best downconversion to standard definition on a DVD. So when anyone googles this they'll find this info.
For 60i standard definition - Shoot 720/60p
For 24p standard definition - Shoot 1080/24p and edit natively at 23.98p (no 2:3 pulldown or any of that stuff)
For 30p footage - Shoot natively if shooting exclusively for the web or shoot 1080/60i and use VirtualDub's YADIF deinterlace method.
In whatever software you have make sure 16:9 flags and 23.98p>29.97 flags are set properly. This is vitally important to storing 24p footage on a DVD. When done properly 24p footage (which is 480p lines of resolution in NTSC countries) looks damn good and almost indistinguishable from HD on smaller TVs with a Blu Ray, HD DVD or similar upconverting player. With larger HDTVs close-up and medium shots look almost-HD...you can really only tell with wide establishing shots and the like.
The reason it's better to shoot 720/60p if going to interlaced standard def is two-fold. First, you are starting at a closer resolution to standard def. Second, you are shooting in a progressive format. Both of these technical specs make for easier math, which software downconversion must do. The math on interlaced to interlaced is not so good and may never be.
The only exception to this rule is if you own a hardware downconverter. It may be better shooting 1080/60i but you should and probably already have done your own tests.
480i footage from 720p looks darn good. Not as good as 24p footage but as good as high end SD cameras. At least that's my opinion on it.
On a side note make sure you're converting your colorspace from Rec. 709 (HD) to ITU-R BT. Rec. 601 (SD). Your software may or not do it without you knowing so you may need to consult the user manual or contact your software maker.
I personally use VirtualDub and the Lanczos3 resize filter with "interlace" unchecked in the dialog box. If I do shoot 1080/60i or receive this material I resize (again in VirtualDub with the "interlaced" box checked) and resize to 480i. I experimented with using yadif like with my 30p web video method but there was way too much flicker.
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