Sony EX1 & Croma Keys

sebastala

Member
It's not a big discover to say that MPEG compression is not good for postproduction tasks, specially if you need to do an intense croma key work like the one you can see at http://www.vimeo.com/5207926. In this case is essential to use a plugin called Red Giant Primatte Keyer (sure you know it). The results are good (I think...)
 
MPG compression is better than other codecs, many of them. I'd like to see what DVCPRO HD would achieve if it has a 1920x1080 option @ 25 or 35Mbps..... It would be a mess

Having said that, while XDCAM EX does key very well in its own right, it isn't perfect and can always do with some extra bandwidth. This is where a FlashXDR or nanoFlash come in. Once the nanoFlash is available in a few weeks, it will have to be the best key improving tool an EX user can get. A better capture has always got to be better than better post processing.
 
Well it's nearly impossible to spot flaws on a 320x240 web video, but I do think I saw some green spill on the edges during the closeup shots.
Getting a good key on XDCam EX is easy if you shoot progressive. I would not even consider interlaced as the colors spill excessively in that mode and would be unsuitable for keying.
 
I didn't know that it's better to shoot progressive than interlaced when you want to make a chroma, thanks for the information. Also I have no notice about nanoFlash, thanks too. Cheers.
 
Yes, the color subsampling appears to double in resolution in progressive. Anything I shot in 60i has blockiness around colored objects, but in 30P, the colors look just like a still photograph, no visible spill at normal magnification. Interestingly, taking progressive footage and rendering it out to interlaced drastically degrades color resolution too.
 
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