Nicholas Natteau
Veteran
I decided to start this thread after reading this post on dvxuser:
http://www.dvxuser.com/V6/showthread.php?96197-IRE-and-Stop-correlation
According to that thread, there is no general rule for f-stop and IRE correlation, and it depends on the latitude capacity of the camera in question.
If that's the case, does anyone know what the correlation would be between f-stops and IRE increments on the Sony A7s?
Sony claims the A7s to have up to 14 stops of dynamic range, but allegedly only 12 are usable. To determine what this would mean in terms of IRE increments on a 0-100% waveform monitor, should we be dividing 100/12? Would it be correct for example to assume that a stop would equal 8% or 9% on a waveform monitor?
For those of us using waveform monitors, it would be very helpful to know what stops correlate to in IRE terms on the A7s.
If for example middle grey is 42% in S-Log2, and we wanted to expose two stops over middle grey, should we therefore be exposing at 58%-60% IRE??? (42% + 16% or +18%)
http://www.dvxuser.com/V6/showthread.php?96197-IRE-and-Stop-correlation
According to that thread, there is no general rule for f-stop and IRE correlation, and it depends on the latitude capacity of the camera in question.
If that's the case, does anyone know what the correlation would be between f-stops and IRE increments on the Sony A7s?
Sony claims the A7s to have up to 14 stops of dynamic range, but allegedly only 12 are usable. To determine what this would mean in terms of IRE increments on a 0-100% waveform monitor, should we be dividing 100/12? Would it be correct for example to assume that a stop would equal 8% or 9% on a waveform monitor?
For those of us using waveform monitors, it would be very helpful to know what stops correlate to in IRE terms on the A7s.
If for example middle grey is 42% in S-Log2, and we wanted to expose two stops over middle grey, should we therefore be exposing at 58%-60% IRE??? (42% + 16% or +18%)
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