if the LSI in the a6300 generated a lot of heat and the new LSI in the a6500 runs cooler, there's a chance that this could help alleviate some of the overheating problems.
...and also, hopefully, battery life.
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if the LSI in the a6300 generated a lot of heat and the new LSI in the a6500 runs cooler, there's a chance that this could help alleviate some of the overheating problems.
My question is, if neither the camera nor the XLR adapter have a headphone jack, how the heck is one supposed to monitor audio with this camera (or the a6300)???
Cameralabs review
All the thermal issues seem to be still there, so, a6300 with IBIS and touchscreen it is.
I think they had a lot of feedback on the a6300, 'got their fingers burned' if you pardon the pun. My guess is the overheating will have been solved.
lol, apparently still no headphone jack, and still a 30 minute limit.
My question is, if neither the camera nor the XLR adapter have a headphone jack, how the heck is one supposed to monitor audio with this camera (or the a6300)???
So, most likely:
* If you were OK with the a6300 but you wished it had IBIS like the a7R II and the a7S II, then this is the camera for you
* If you were OK with the a6300 and don't need IBIS, then there's no point in going for the a6500
* If you were NOT OK with the a6300 because you need a camera that doesn't overheat, doesn't have awful rolling shutter, etc, then I think you won't like the a6500 either
Personally, I'm still waiting for either 4k 60 fps or slog3 that is not crippled (i.e. same DR as the FS7).
Who could use this for anything but the most casual, hobbyist shoots?
I meant that it just clips at 80% brightness or so, instead of going all the way to white and giving you the extra dynamic range I was hoping for with slog3. You get a small advantage in the shadows, at the cost of less brightness values per stop of light in midtones and highlights. I'm fine with that cost, but only if I get the extra 1.5 stops of headroom in the highlights that slog3 should bring!Curious Samuel - what you meant by "crippled Slog 3 " - I use PIX E5 recorder with my 6300 and have gotten great results.
H'm might have to have it shipped to my friend in LA to test it while I'm out there.The Sony mirrorless' have usually been available one month after preordering begins...so should be shipping in November.
B&H should have an accurate date on Monday.
Half the people on this forum could shoot a feature film with it. Not a wedding, not a concert, not an interview, not a documentary. But narrative? Sure!
(just remember to switch to 1080p if you have a fight where you'll go crazy shakycam, then the rolling shutter will be fine too; 4k doesn't matter when all you see is blur, anyway)
I meant that it just clips at 80% brightness or so, instead of going all the way to white and giving you the extra dynamic range I was hoping for with slog3. You get a small advantage in the shadows, at the cost of less brightness values per stop of light in midtones and highlights. I'm fine with that cost, but only if I get the extra 1.5 stops of headroom in the highlights that slog3 should bring!