diego1235467
Well-known member
I'm trying to get the smoothest slo mo possible, but I have a few questions.
First of all, the best way to get slo mo I've found is using Optical Flow in Motion. I recorded a clip using 60i on my 100a, captured it into FCP, and then sent it to Motion. Once in motion, I changed the timing to 40% and used Optical Flow. I then saved it and brought it back into FCP with fantastic results. On to my questions.
1. Would Optical Flow work just as well with 24p footage as opposed to 60i?
2. Once the footage was back in FCP, the length of the clip was the same as it was in the original speed. When the slo mo was done in FCP, the clip became much longer. Is it simply smaller because the slo mo was done in Motion? Is this normal?
3. When doing slo mo work in 60i, what seems to be the best shutterspeed to use? do we want motion blur, or no motion blur?
4. In your guys' opinion, what is in fact the best way to do slow motion?
All help is greatly appreciated.
First of all, the best way to get slo mo I've found is using Optical Flow in Motion. I recorded a clip using 60i on my 100a, captured it into FCP, and then sent it to Motion. Once in motion, I changed the timing to 40% and used Optical Flow. I then saved it and brought it back into FCP with fantastic results. On to my questions.
1. Would Optical Flow work just as well with 24p footage as opposed to 60i?
2. Once the footage was back in FCP, the length of the clip was the same as it was in the original speed. When the slo mo was done in FCP, the clip became much longer. Is it simply smaller because the slo mo was done in Motion? Is this normal?
3. When doing slo mo work in 60i, what seems to be the best shutterspeed to use? do we want motion blur, or no motion blur?
4. In your guys' opinion, what is in fact the best way to do slow motion?
All help is greatly appreciated.