nedcam
Well-known member
I had used the AF100 in rentals and have recently purchased one. I spent a lot of time analyzing all the posts regarding scene files and came up with notes that combine the best of Abel, Barry Green, and experts like McGee, Olof. Everyone has Detail and Vertical Detail in the negative 4 or 5 range.
I did a talking head shoot lately, with nice prime glass, if memory serves it was either my Zeiss 35mm f2 or 50mm f1.4, and to me the overall image is a little mushy. I was a slightly down from wide open. The scene file was Range from Abel:
Detail -5
V Detail -5
Detail Coring +2
Chroma -2
Ped +2
Gamma D
Matrix Norm 2
Most all the popularly discussed files seem to be in this ball park. My question is: Why turn down the detail? If the glass is high quality, and I have checked my focus critically, why will it be less than sharp? Would it not be smarter to zero out Detail and if too sharp soften it in post?
Thanks,
I did a talking head shoot lately, with nice prime glass, if memory serves it was either my Zeiss 35mm f2 or 50mm f1.4, and to me the overall image is a little mushy. I was a slightly down from wide open. The scene file was Range from Abel:
Detail -5
V Detail -5
Detail Coring +2
Chroma -2
Ped +2
Gamma D
Matrix Norm 2
Most all the popularly discussed files seem to be in this ball park. My question is: Why turn down the detail? If the glass is high quality, and I have checked my focus critically, why will it be less than sharp? Would it not be smarter to zero out Detail and if too sharp soften it in post?
Thanks,

