Short Prep: Lighting test

Madaspy

Active member
This is my first time posting screen grabs from my DVX.

I have been reading about lighting lately and so far I think i am starting to understand it, but I still have many questions.

I would like to get some opinions about these frame grabs, but in the realm of light.

None of these images are color corrected

Scene file settings.
Detail Level -3
V Detail level 0
Detail coring +3
Chroma Level -2
Chroma Phase 0
Color temp 0
Master Ped 0
A. Iris Level 0


I used a 2 work light kits.
The key light is on the left: 2x 500w
fill which is on the right is 1x 500w


f2.8
f2_8.jpg


f3.4
f3_4.jpg


f4
f4.jpg


f4.8
f4_8.jpg


So like i said make your comments, suggestions, or whatever.
 
It seems very natural but at the same time it's pretty flat. I would better define the Key light and then use a backlight to just add some interest. These are just suggestions, I to am just beginning to dive into the world of lighting.

P.S. The shadow made by the lamp is a little distracting.
 
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try going for the one 500 W for the key, and put the other one on the opposite site behind yourself, might look cool. But again its dependant on the look your going for.
 
Too much fill. Back the fill away, scrim it down, put ND gel in front, waste it away, whatever works best - just use less. What was your contrast ratio? I also agree about the shadow on the background - simply flagging it off should do the trick. Maybe you can use the 2x 500w for the key, use a bounce on the other side for fill and the 500w further back as a kicker hitting both the back of the couch and the back of his head to seperate the layers.
 
Thanks for the input guys. I think i will make some flags for my lights. The images above have the fill about 7 feet away using a single 500 watt work lamp. The key is the same distance except i was using 2x 500 watt work lamps. I simply dont have any more room in that room. I definitely agree with the previous posts about using 2x 500 or even one and using a reflector for fill.

I find it difficult to remove the annoying shadows from my lamp with out the use of flags. Also, you will be able to see the top of the lamp. I am not too worried about this because these images are for testing purposes.

I shot a second batch of images, using f3.4-f4.0, with 1x 500 watt work light for my key and 1x 500 for my fill except i bounced it off the wall of my hallway.

my first image i actually have a key at the standard 45 degree angle and another behind me to the left bounding off the wall, with no fill. But the rest use the standard procedure that i mentioned above.

In the 4th image i played with the idea of a single key and a reflector for the fill, that is why i am holding the reflector.

Finally with the contrast ratio, i am not sure, i know i cant calculate it, but i know i can improve this in post. I just wanted to shoot a plain, unadulterated image so that i can improve it in post. Normally i use a master ped of -11, but if i want that type of image i can decrease the shadows in post. I just want to have as much information to work with when going in to post.

Once again, any input would be wonderful.
dvxlighting.jpg

dvxlighting2.jpg

dvxlighting3.jpg

dvxlighting3_5.jpg

dvxlighting4.jpg

dvxlighting5.jpg



This is one of my work lamps. i will create flags for this lamp.
IMG_2428.jpg
 
I like the first one with no fill the best, although you get that akward shadow from the head on the shirt. As for the contrast ratio- I understand you want to shoot flatter to get as much information in the image as possible, which is smart. BUT, you still need some shadow - its easy to deepen existing shadows, not create entirely new ones in post. This is why I like the first image. If you used one light head to hit him for a key and then the other to hit the back of his head as a kicker and the other head on that stand to hit the background, I think you should be in business.
 
I agee with Noah; i like the 1st image best. I think placing a foam core reflector closer to the subject might provide a better fill and lose a little bit of the shirt shadow it has. Framing a close up of the face would help alot, too, but I understand that might not fit your needs. Last suggestion is to shoot through a silk to diffuse the light.
 
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