Shooting my first music video, need advice, have questions....

MatthewC

Well-known member
I'm about to shoot my first music video at the end of September. They want a final product in BETA format with closed capitioning for CMT.

I'm going to be using a Panasonic HPX170 to shoot. A few questions:

1) I'm assuming 30PN is the way to shoot for a TV format, I'll get the most possible recording time. However, shooting this way I lose audio if I decide to shoot a bit at 48FPS and slow down to normal speed in post. Any tips for lining up the audio when there is none? I figure 1/60 is a good standard shutter speed for the video, then maybe a bit higher for things like drumsticks flailing, etc?

2) Is it better to shoot with some type of CINELIKE Gamma, Cine-D or Cine-V, or is it better to use something that allows for less contrast and less noise, then adjust my contrast and colours in post more? What should I should to get the maximum allowable resolution with the cleanest image, with the most flexibility in post?

3) The coverage of the band actually playing doesn't come in except close to the end of the song. I figure I'll do a few takes of just the lead lady singing the whole song, then a few Glidecam shots of the whole band for the whole song , then just a single or two of each artist playing their instrucments starting halfway in the song, to be used near the end of the video.

I'm also just generally looking for tips and advice for shooting a music video. I'm planning as much as I can, but realize that I have a lot on my plate for a first music video/directorial debut. Any war stories or advice would be extremely appreciated.

Cheers.
 
For music videos I shoot with the EX1 at 60 fps which doesn't let you record audio at the same time. I use a Tascam DR-07 audio recorder and my Birns & Sawyer 425011 dry erase slate. Very simple to sync in post. Results have been perfect for me, no drift.

For some moving car scenes we couldn't slate so I had to match the song by reading the artist's lips. Not fun!
 
For some moving car scenes we couldn't slate so I had to match the song by reading the artist's lips. Not fun!

Oh man, I got the souvenir tee-shirt on the lip sync by eye method, since we started shooting absolutely non-sync with live bands shot on Super 8 matched back to CD versions of their songs. It sucks. Luckily I had a couple of partners that were damn near "Rain Man" savant at doing it, saved our butts. I could never get it right. Avoid it if at all possible.
 
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