Setting WB to different color Temps

quickstep

Active member
So normally after I have lights set I just Auto White balance to a white paper or wall or something. Just wondering now that I am working with different kinds of lights and using CTB gels to match day light, or using dimmers, or getting a mix of different kinds of lights in rooms, if Auto setting it to match the color temp is the best way, or should I just always set to 5600 or 3200, and just use one or the other.

This is for ENG work where I don't have much time to fool around with it, if moving between different rooms
 
By "Auto set" we'll assume you mean "manually set" your white balance...

When you get into mixing color temps, you'll either do it methodically, to achieve a specific look... or you'll do it because you don't have enough lights/gels/time/etc.

For ENG stuff, your best choice is likely to have a daylight, shade, and tungsten preset and choose which one is most prevalent in the scene - can't imagine you have much time to shoot a gray card.

Unless you're outdoors in full sun, you'll rarely have a situation for true 5500k; in my experience, things are going to be more blue-gray, in the shade or indoors near windows. So a shade-clouds temp may look much snappier and warmer. Indoors under tungsten, you'll often find things are much much warmer than a 500 watt fresnel pumping out pure 3200k. And at lower temps, changes in color temp are way more pronounced. Most broadcast-style (true "video") cameras I've used have two manual presets; DSRLs have one, with a range of sunlight-shade-clouds-etc factory stuff. I'd try to figure out which temps work best for you... and keep a grey card handy if you do get a second to manually balance.
 
i'd never auto-white balance unless it's the only option. also wouldn't leave it at 5600k or 3200k automatically. either balance it manually so white is white, or adjust for preference.

auto-white balance can especially be terrible if you're shooting under a few different colored lights (particularly with those dimmers you mentioned). I frequently end up coloring lights just a bit for effect (e.g. dimming for a bit of red or warming for sunlight), and if you're getting a bit of those lights in there when you white balance at the wrong spot it could throw things off.
 
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