screenshots to restore faith in your AF100

That is great looking stuff. It's not what your camera can do but what you can do with your camera and you obviously can do great things!
 
I just did a couple tests with Zack Forsmans settings in B Press instead of CineD. HUGE latitude difference for the cinematic look. I am in LOVE. Hey...by the way...ITS ROG FROM WHATS HAPPENING! I gotta get him in my movie. Put in a good word for me! lol
 
hscully said:
I'm developing a new faith... in B.Press!
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Haha isn't it the best?! Barry said B.Press was the cleanest of all the settings in his book and that was enough for me I've stuck with it ever since and have not been happy with other people's footage with Cine settings
 
dreallen said:
I just did a couple tests with Zack Forsmans settings in B Press instead of CineD. HUGE latitude difference for the cinematic look. I am in LOVE. Hey...by the way...ITS ROG FROM WHATS HAPPENING! I gotta get him in my movie. Put in a good word for me! lol
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Yes sir good call on Mr. Thomas!
 
dreallen said:
I just did a couple tests with Zack Forsmans settings in B Press instead of CineD. HUGE latitude difference for the cinematic look. I am in LOVE. Hey...by the way...ITS ROG FROM WHATS HAPPENING! I gotta get him in my movie. Put in a good word for me! lol
Click to expand...

What are his settings exactly? I did a quick search through the forums and couldn't find anything.
 
lighting setups

lighting setups

Here are the lighting setups:

View attachment 722754 Bank Kino (tungsten bulbs) backlight, Arri 650w bounced off beadboard for left Key, no fill.

View attachment 722766x6 Full Grid Cloth diffusing sun to the right

View attachment 72277Daylight windows coming from behind, 4 bank kino (tungsten bulbs) overhead pointed straight down no egg crate, camera set to 2,800K for a cool feel

View attachment 72278Same setup as before 4bank kino overhead no fill, 2800K

View attachment 72279Arri 650w directly overhead bouncing into bleach muslin cloth on her lap, Arri 150w for a splash of light on the hardwood floor to the left behind her

View attachment 72289Arri 1k open face with 1000H tracing paper diffusion on barn doors while shining through 4x4 bleach muslin on the left. Beadboard bouncing from under her chin.
 
nutmegger said:
Joe. Very nice. What were your camera settings and what lens did you use?
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Gamma B.Press, DRS 1, Knee Auto, Matrix Norm 2, everything else 0

Lenses is a whole mix bag: Nikon 50mm 1.4, Vivitar 35mm 1.4, Rokinon 85mm 1.4, tokina 11-16. I don't spend too much money on lenses because I think the price markups for zeiss and other lenses is bullshit, your lighting and production design will outshine any lens but thats' for another thread.
 
Joe748 said:
Here are the lighting setups:

View attachment 722754 Bank Kino (tungsten bulbs) backlight, Arri 650w bounced off beadboard for left Key, no fill.

View attachment 722766x6 Full Grid Cloth diffusing sun to the right

View attachment 72277Daylight windows coming from behind, 4 bank kino (tungsten bulbs) overhead pointed straight down no egg crate, camera set to 2,800K for a cool feel

View attachment 72278Same setup as before 4bank kino overhead no fill, 2800K

View attachment 72279Arri 650w directly overhead bouncing into bleach muslin cloth on her lap, Arri 150w for a splash of light on the hardwood floor to the left behind her

View attachment 72289Arri 1k open face with 1000H tracing paper diffusion on barn doors while shining through 4x4 bleach muslin on the left. Beadboard bouncing from under her chin.
Click to expand...


Thanks for that. Some cool set ups. I love seeing how people light their shots, always makes me so inspired :)
Top Job.
 
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