It's been a little quiet here at HMC40. Here is a new scene file I've been working on to rev things up. But first I want to ask about the HMC40 aperture-ND thingy. I have used my HMC outside mostly, in sunlight, and for the most part have had a polarizer parked on the lens. While doing some scene file testing, I removed it and.....in several cases couldn't get stopped down enough before the aperture closed completely. I hadn't noticed this before, but this does seem to be a serious flaw considering this is a cam to be used in ample light. The polarizer went back on just to act as a ND and gives me something north of a full stop. Do you do the same thing or carry NDs with you also? I was thinking about a W/A attachment, but without filter threads, that is a real problem.
Now for the scene file. I have been working on matching the HMC40 to a HPX170 for outdoor scenic work. It is incredible how good the HMC40 footage looks compared the the HPX. For sharpness of image, the HMC is simply better (in sunlight).
If you try this out, please give comments.
720/30p
Detail +2
VDetail +2
Coring +2
Color Temp +1
Pedestal -5
Gamma CineD
Knee Mid
Matrix Cine
Skin On
If it isn't listed, it is zero or off. For a HPX match, I'll probably reduce the detail and coring settings, the HMC is just too sharp. Once again this is for outdoor scenic work. The thing I am still considering in the scene file is the warmth factor. Using the CineGamma and CineMatrix, the overall look gets pretty warm, so I have reduced the color temp to +1, and may take another notch out of it yet. Red objects in the frame look fine, it is the overall warming that is the issue.
try it out.
Grant
Now for the scene file. I have been working on matching the HMC40 to a HPX170 for outdoor scenic work. It is incredible how good the HMC40 footage looks compared the the HPX. For sharpness of image, the HMC is simply better (in sunlight).
If you try this out, please give comments.
720/30p
Detail +2
VDetail +2
Coring +2
Color Temp +1
Pedestal -5
Gamma CineD
Knee Mid
Matrix Cine
Skin On
If it isn't listed, it is zero or off. For a HPX match, I'll probably reduce the detail and coring settings, the HMC is just too sharp. Once again this is for outdoor scenic work. The thing I am still considering in the scene file is the warmth factor. Using the CineGamma and CineMatrix, the overall look gets pretty warm, so I have reduced the color temp to +1, and may take another notch out of it yet. Red objects in the frame look fine, it is the overall warming that is the issue.
try it out.
Grant