Matt Gottshalk
Resident Preditor
Definitely a additional stop in the shadows there, Mac.
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Your judging macroblocking based on a compressed screen grab of a video that was converted from the original source. You can't judge macroblocking from something that has undergone 3 levels of compression.
It's stuff like this that drives me insane.
@macgregor What you thinks about the NX1 vs. GH4.
P.D.: sorry for my english.
H265 after all, what would you expect after such a heavy color correction?
I think that example is too extreme and under normal circumstances you are not going to see that.
However, if you want 4K I don't think the NX1 is a good idea. BUT it makes wonderful 1080p, and that´s why I like it. I'll be shooting a project next week. We'll see how it goes.
Mac,
What's your pick for 4K then?
I for one do not use the 4k mode. The uhd mode far exceeds the 1080 in detail and quality, and down res to 1080 very vicely. I just shot a wedding with the cam and couldn't be happier. The 16 to 50s lens and it's auto focus was a complete life saver for that type of event work where you only get seconds to get a shot correct. It in my opinion handled better than the 5d that we used. Loving this cam. Now I'm just waiting for myself or another capable Dp to utilize this cam in a lit narrative setting, with maybe some nice prime glass in front of it.
Ok, I understand that cc is not goin to happen but I see the macroblocking clearly without that post, thats bugged me. If only they have proper HDMI output the this could be bypassed happily, its so frustrating.
The camera can output true 4K 4:2:2 out of the HDMI.
The issue is the framerate and resolution. I can`t find info con true 24p (or 23.976p) output of C4K or UHD. 30p and 25p is working says macgregor.
C4K is listed in the HDMI output settings, given than the camera only shoots 24p in that mode it must be that on recorders like the upcoming sound devices PIX-E series.
I'll be shooting a project next week. We'll see how it goes.