vincent thomas
Well-known member
15? I would like that but i don't believe it.
Some recent review have just benched the gh4 to a maximum of 10 , so let's see
Some recent review have just benched the gh4 to a maximum of 10 , so let's see
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15? I would like that but i don't believe it.
Some recent review have just benched the gh4 to a maximum of 10 , so let's see
Australia price will be announced at $2750 or $2800, though Videopro will be listing at $2600.
15? I would like that but i don't believe it.
Some recent review have just benched the gh4 to a maximum of 10 , so let's see
Thanks man, you're making me blushI guess we've found a new guru here.
Yessssss. I see lots of a7s vs blackmagic tests in my future. And fun, yes, fun tooWonderful! I can predict lots of fun in a couple of months![]()
I know, I know. If the comment of "similar DR to my F5" from Den Lennie is accurate, I would expect to have around 10 stops of usable DR, 11 if I'm lucky. That's still HUGE. And with the kind of curves that Sony uses (the image below is the AbelCine test for slog on the F3), it would mean around 29 values per stop of light in the midtones and highlights (which should be just about enough if the codec is good) and half as much in the shadows (which can be a problem even with a good codec). I said 20-25 steps per stop in my previous post because I don't want to be over-optimistic (not optimistic here would mean that there are 10-11 usable stops but those other too-noisy-to-be-useful stops eat up a big part of the color space).Honestly guys, i don't truly expect for 15 stops (nor even 14 stops) at all in video terms!
I thought IS worked with a Metabones active adapter, am I wrong?
It will work. I use a Metabones II EF to E mount adapter on my Sony FS700, and all the IS on every Canon lens works just fine.
You just cant auto focus in video mode. Autofocus is on the Mark III mode, but it ONLY works in stills mode.
Sorry if this has already been covered. I have not seen it yet. So the current best solution for shooting 4k with the A7s is the Shogun. Those data rates are more hungry than my Scarlet. 2TB = 2.5 hours of footage.
Why 1080p? Don't forget Atomos doesn't use expensive proprietary media, instead ; ) And you can always give extra use to an Atomos recorder any time.Sorry if this has already been covered. I have not seen it yet. So the current best solution for shooting 4k with the A7s is the Shogun. Those data rates are more hungry than my Scarlet. 2TB = 2.5 hours of footage. Thats going to get old quickly. Does anyone know if there are any type of compression options to get these data rates down upon capture rather than transcoding the footage later in post. I have shelves full of large drives...with the amount of capture I do, these data rates would just become cumbersome.
I am also a bit leery on the mandatory external recorder for 4K. It just seems like technology, that in 2 years, will be a thing of the past and very much an undesirable stage of camera history. Just my 10 cents.
That aside...I am still interested in the A7s. It looks like a really cool little camera. I am more interesting in its 1080P mode but I have not heard much talk about that let alone examples.
Does anyone have any facts about 4K compression ratios for the Shogun combination, solutions for the A7s 4K data rates, and inside on the quality of the A7s in 1080P mode vs 4K?
Thanks
Where are you getting those figures from? Apple's Prores 422 HQ 4k spec is 320Gb/hr.
Where are you getting those figures from? Apple's Prores 422 HQ 4k spec is 320Gb/hr.
I got it directly off the Atomos website. They state that a 2 TB drive will give you 2.5 hours of 4K ProRes recording.
That's a 2Tb raid array so only 1Tb capacity. Prores is prores, the data rates are set https://www.apple.com/euro/finalcutpro/docs/Apple_ProRes_White_Paper_October_2012.pdf