GordanWillis
Carbonite Member
Check it out
https://vimeo.com/142253183
Sony F35 with ultraprime lenses to DPX 12 bit recording on the odyssey 7q.
We shot this on the Sony F35 with Ultraprime lenses and some Tiffen Digital FX diffusion. We only used tungsten lights - because tungsten lights have a softer warmer wrap to them (I think
) than HMI lighting, flourescents, led, all that. We used a litepad in the pumpkin and added the FX of fire in post - we tried to do it on set but we burned down the set two times. We also tried to shoot with a headless horseman but it was hard to find so we got the horse trainer who also acts and had him wear a greenscreen hood. It was really hot in the room and the horse pooped a lot which was funny.
We had an amazing VFX artist - we shot Sony F35 to Odyssey 7Q+ with 12 bit DPX recording - thank you C-D for making this happen.
The horse was fun to have on set - I was nervous he was going to trample the F35 camera and then there would only be 7 left in the world
It was all Crobin's idea - he is a super talented person
Client: Hershey’s
Agency: Viacom Velocity
Production Company: Pudding Boy Productions
Director: Crobin
Copywriter: Crobin
Executive Producer: Joe Labbadia, Grayson Ross
Directors of Photography: Ed David
Production Designer: Nick Tong
Editor: Crobin
Sound Design/Mix: YouTooCanWoo
Sound Designer: David Perlick-Molinari
VFX: Hey Beautiful Jerk
VFX Supervisor: Mark Szumski
Color Grade: RCO
Colorist: Seth Ricart
Puppet Builders: Silver Scream FX Lab
Puppeteer: Frankie Cordero
Gaffer: Jordan Bell
AC: John Larson
DIT: Phil Kibbe
https://vimeo.com/142253183
Sony F35 with ultraprime lenses to DPX 12 bit recording on the odyssey 7q.
We shot this on the Sony F35 with Ultraprime lenses and some Tiffen Digital FX diffusion. We only used tungsten lights - because tungsten lights have a softer warmer wrap to them (I think
) than HMI lighting, flourescents, led, all that. We used a litepad in the pumpkin and added the FX of fire in post - we tried to do it on set but we burned down the set two times. We also tried to shoot with a headless horseman but it was hard to find so we got the horse trainer who also acts and had him wear a greenscreen hood. It was really hot in the room and the horse pooped a lot which was funny.We had an amazing VFX artist - we shot Sony F35 to Odyssey 7Q+ with 12 bit DPX recording - thank you C-D for making this happen.
The horse was fun to have on set - I was nervous he was going to trample the F35 camera and then there would only be 7 left in the world
It was all Crobin's idea - he is a super talented person
Client: Hershey’s
Agency: Viacom Velocity
Production Company: Pudding Boy Productions
Director: Crobin
Copywriter: Crobin
Executive Producer: Joe Labbadia, Grayson Ross
Directors of Photography: Ed David
Production Designer: Nick Tong
Editor: Crobin
Sound Design/Mix: YouTooCanWoo
Sound Designer: David Perlick-Molinari
VFX: Hey Beautiful Jerk
VFX Supervisor: Mark Szumski
Color Grade: RCO
Colorist: Seth Ricart
Puppet Builders: Silver Scream FX Lab
Puppeteer: Frankie Cordero
Gaffer: Jordan Bell
AC: John Larson
DIT: Phil Kibbe
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