I've done three event shoots (low-light) with my 150 now. All were manually white-balanced
The first was in 1080/30p and on default settings for Scene 1. The footage came out OK but a bit contrasty. Then I switched the gamma on scene 1 to Cine-D and filmed the next to events, one of 720/30p and the other 720/60p.
With both of these the footage came out with a serious red tint (I'm afraid I'm not in a position to upload an example at the moment). I find the LCD viewer rather unsaturated to my taste (yes, I know I can adjust that) but the difference between 'what you see and what you get' is very substantial.
The only other difference between the first and the last two shoots is that for the last two I was using a Microbeam 128 LED on camera light as opposed to a PAGc6 tungsten job for the first one. The difference in light colour is considerable (the LED has a much higher temp) but if everything is white balanced (with the light on) then I dont see why that would be an issue.
If anyone could shed any light on this I'd be gratefull!
The first was in 1080/30p and on default settings for Scene 1. The footage came out OK but a bit contrasty. Then I switched the gamma on scene 1 to Cine-D and filmed the next to events, one of 720/30p and the other 720/60p.
With both of these the footage came out with a serious red tint (I'm afraid I'm not in a position to upload an example at the moment). I find the LCD viewer rather unsaturated to my taste (yes, I know I can adjust that) but the difference between 'what you see and what you get' is very substantial.
The only other difference between the first and the last two shoots is that for the last two I was using a Microbeam 128 LED on camera light as opposed to a PAGc6 tungsten job for the first one. The difference in light colour is considerable (the LED has a much higher temp) but if everything is white balanced (with the light on) then I dont see why that would be an issue.
If anyone could shed any light on this I'd be gratefull!