This topic has undoubtedly been covered before. Please excuse my lack of thorough research as time is very short.
I'm a couple of weeks away from a two-week series of interviews for a documentary project, and just this week decided on the HVX. It is important that the footage we shoot for this project ends up being as marketable as possible to TV networks like TLC, History, PBS etc., understanding that we are using a lesser camera system (than would normally be ideal) for aquisition due to financial constraints. A familiar story I'm sure.
I have received advice to shoot in DVCPRO HD, 720p/30p for this project. Is this good advice?
The idea of native recording or pn (are they the same thing?) seems attractive, but I'm completely in the dark about whether this will create substantial difficulty in post.
I'm learning fast but I'm not nearly educated enough to judge the value of this advice. Barry Green's book is in the mail but doesn't get here until Friday.
I would very much appreciate some input.
As always, thanks to everybody for sharing their wisdom.
I'm a couple of weeks away from a two-week series of interviews for a documentary project, and just this week decided on the HVX. It is important that the footage we shoot for this project ends up being as marketable as possible to TV networks like TLC, History, PBS etc., understanding that we are using a lesser camera system (than would normally be ideal) for aquisition due to financial constraints. A familiar story I'm sure.
I have received advice to shoot in DVCPRO HD, 720p/30p for this project. Is this good advice?
The idea of native recording or pn (are they the same thing?) seems attractive, but I'm completely in the dark about whether this will create substantial difficulty in post.
I'm learning fast but I'm not nearly educated enough to judge the value of this advice. Barry Green's book is in the mail but doesn't get here until Friday.
I would very much appreciate some input.
As always, thanks to everybody for sharing their wisdom.