After about a year of development work, it looks like Juan Pertierra's uncompressed capture system for the DVX100 will have its product release. The RealStream Andromeda system will capture 4:4:4 12-bit uncompressed output straight from the DVX100 A/D converters. There are two major benefits to this system--1) it captures *all* the raw image data coming out of the DVX100 and 2) it allows for significant image manipulation in post-production with minimal quality loss.
The Andromeda system captures uncompressed TIFF files of each frame at 16-bit RGB precision(48-bits/pixel). The DVX100 raw output is 12-bit RGB data for each (R,G,B) channel, so the file "wrapper" has some extra empty bits that may be helpful for internal calculations performed in the editing/post process (as long as your post production software can handle 16 bit/channel TIFF files). In reality, you have a 36 bit (12x3) file to play with. The raw output files will have significantly more dynamic range (~2 stops) and color information.
The DVX normally outputs 8 bit data per channel at a 5:1 (DV) compression rate. The 4:1:1 (or PAL 4:2:0) sampling rate significantly limits the quality of the final DV material, so the Andromeda is a significant step forward.
The Andromeda system requires internal modification (3-5 days at ReelStream) of the DVX and thus voids your warranty. The ouput is via a USB 2.0 connection and although I don't know what the final data rate is, a normal fast hard drive should have the ability to keep up with the capture rate. The camera simultaneously records to tape and outputs the raw stream. No word on price yet.
ReelStream
http://www.reel-stream.com/
DVInfo Net thread
http://www.dvinfo.net/conf/showthread.php?s=&threadid=20332
The Andromeda system captures uncompressed TIFF files of each frame at 16-bit RGB precision(48-bits/pixel). The DVX100 raw output is 12-bit RGB data for each (R,G,B) channel, so the file "wrapper" has some extra empty bits that may be helpful for internal calculations performed in the editing/post process (as long as your post production software can handle 16 bit/channel TIFF files). In reality, you have a 36 bit (12x3) file to play with. The raw output files will have significantly more dynamic range (~2 stops) and color information.
The DVX normally outputs 8 bit data per channel at a 5:1 (DV) compression rate. The 4:1:1 (or PAL 4:2:0) sampling rate significantly limits the quality of the final DV material, so the Andromeda is a significant step forward.
The Andromeda system requires internal modification (3-5 days at ReelStream) of the DVX and thus voids your warranty. The ouput is via a USB 2.0 connection and although I don't know what the final data rate is, a normal fast hard drive should have the ability to keep up with the capture rate. The camera simultaneously records to tape and outputs the raw stream. No word on price yet.
ReelStream
http://www.reel-stream.com/
DVInfo Net thread
http://www.dvinfo.net/conf/showthread.php?s=&threadid=20332