Ready for takeoff.

bsmall

bsmall

Active member
At the risk of being laughed outta the room, I need some guidance.

I am completely enthralled by this forum and the support that surrounds it. You all are blessed to have each other to rely on to help, bounce ideas off of and have a place to “hang”. Not to mention the talent that has reared its head in here through the clips that are shared. Outstanding stuff.

I’ve been in and around this world for a while and now have a few folks knocking at my door to do some “rah/rah” type company sales videos. Summer camps, ski camps, church camps, end of the season sports banquets – you know, the touchy feely “yeah look at us” type stuff, all set to some rockin' music. A lot like the great highlights that you see after game seven of the World Series when FOX is wrapping it up, or those great sports montages.

I’m obviously not as well-versed as you all are when it comes to equipment and the set-up here at the office, but want to take the plunge, as I have some opportunities out there, and need to come off like a pro. I’m confident in my abilities, but just need a little guidance on a couple of big ticket items – mainly the camera that I choose.

I’m hearing a lot about the DVX100A, and am wondering if that should be my camera of choice, given my semi-rookie status. I’m not planning on submitting anything to Sundance, or being contacted by Paramount, I just want my stuff to smoke the other guys that tinker in what I’m heading off into.

I am assuming that the DVX100A will be more than I need, which is fine. The ability to connect it to my computer and roll it through my Vegas Video and all that is another assumption.

I see that there are a couple of different DVX100A models, and would be grateful for some additional guidance.

I may be presumptuous in wanting to fly first class on my inaugural flight, but wanna hear your take on it, as well.

I’ll bother you all next with your choice of editing software, computer set up, etc. For now, I’ll stick to what’ll capture the greatness that could lead to gratifying success.

:dankk2:, in advance.
 
Last edited:
Can anyone offer me some guidance here?

I'm up against the wall, timewise, and would value your opinion before moving forward.

Thanks.
 
Well it sounds like you came to DVXuser.com so we would just tell you to get the DVX and be done with it. If you can, and it won't kill you financially, do it. If it's a stretch many here have recommended the DVC-80. The 100, 100a, and 100b are amazing cameras and you'll be able to do a lot with them, but like anything else, only if you put the time into learning it. You may also want to go the used route (there's a couple good used cameras in this very section of the forum). Good luck.
-Ryan
 
I would recommend getting an HVX200. You can still shoot "DVX-style" while expanding into the HD realm. Of course, it all depends on your budget.

D~C
 
Ha ha! Good point. I guess you are right about coming here to hear what I want to hear! You hear?

I guess, a follow-up question is which DVX to go with. They all have some differences to 'em, and it doesn't take me long to get confused. DVX100A, 100B, 100C, etc.

Also, is the main difference b/t the DVC80 and the DVX100, the lack of 24p?

Sorry to be such an obvious novice, but thanks for the help!

bsmall
 
There's a bunch of threads on here about 100a vs. 100b. Take a look around. You'll have to find out what features are most important to you vs. your budget. The 100b is the newest model of the DVX line, the 100 is the original, but if you think any of them are too much camera, you may want to look for a used 100a to save some money for important accessories (monitor, tripod, microphones, etc.) Search around and see what you find.
 
For what you want to do, any of the DVX line (100, 100a, 100b) will be fine (there is no 100c yet). You are correct, the DVX80 does not have 24p, but is otherwise the same (I don't think they sell new ones anymore, though). Since the HVX has come out, you can get some great deals on used DVX's with low hours on them.

Technique is, of course, much more important than what camera you use. Shot composition, lighting, good audio, effective editing are all at least as important as the camera (probably more so). And a good story (even for these types of "beuty" shoots) is very important.

So in the end it doesn't matter too much what you get, as long as you use it well.
 
How does a used 100a with 250 hours on it for 2k sound?

Thanks for walking me around!
 
You must log in or register to reply here.
Back
Top