OTHER: PRODUCTION BLOG: Comedy Pilot (CLOWNE)

Jardoss

Active member
Hey fellow filmmakers,I'm in the midst of a three week shoot of an upcoming dark comedy pilot- so I figured I'd write about it here, having learnt a bunch from other people's mistakes and success in the past :-)
I'll post here every day I can, since we're in the middle of shooting, and keep you updated on the process.

We just released the entire pilot on VIMEO! Check it out: <font size="3"><span style="font-family: Helvetica">




LONG POST!
Here's a couple of early screens from the pilot (these will be replaced with a poster eventually):
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A few things about me:
I'm a writer director, and made my debut feature last year as 17 years old. This made me the youngest director in my home country, Norway, and was also this country's first ever sci-fi film. It's called "EVERYWHEN" and will be released in 10 countries (Incl. USA, Scandinavia, Benelux and Germany) on bluray, DVD and VOD Januray 2014. Keep an eye out for it! :)
I have made a bunch of shorts, trailers and other thingies, which you can have a look at here: http://www.youtube.com/JARANDandJENS
Here's the trailer for EVERYWHEN:


I have never made a pilot, and I hate tv-series (that's right, haha).

The plot:
Gary Clowne, who is finally let out of prison, only to spend the next three years of his life as a clown in order to fulfill his community service. And worst part is: his employer, has misunderstood what a clown is all about. Along the way he falls in love, gets jealous and meets his long-forgotten father.

Clowne is a comedy with aspects from The Big Lebowski, In Bruges and Kiss Kiss Bang Bang. It' does not take itself very seriously, although it centers on a strict storyline carefully written.

What got me into making a comedy pilot, after a sci-fi feature?
As mentioned, I don't like tv-series, which is what got me into making a pilot: If I can make something new, and fresh, instead of stumbling down into the normal unoriginal recipe, somebody might actually watch this! The show will be made with the pace, the production quality and the effort of a normal feature film. We're aiming for top-notch quality, rather than quick shoots. Having contacts and a little establishment in the distribution industry as well, I might get this on Netflix or iTunes; it's actually realistic (which is huge, since a pilot is what it is: a pilot).

About the pre-prod and casting:
The screenplay (33 pages long, in English) was finished in April 2013. Pre-Prod started asap. However, we did not go searching for a producer this time. Instead of pitching a screenplay, we want to pitch an actual pilot, and show our talent that way. A lot of time and effort went into creating the concept, the look and the feel to the show. We wanted a dark, and gritty Los Angeles mood.
Here's a couple of concept pictures:
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When costumes were set, we went looking for actors and actresses. We wanted a miserable person to play Gary the clown, which I think is such an awesome contrast, yet we wanted the actor to be relatable and likable- not depressed. We needed a nymphomaniac woman, who had to be pretty and incredibly attractive, yet relatable and not a doll or "babe". A slick man with zero IQ, an old man to play a gorilla and a stoner who had to be funny, were all more than easy to find. After over a 100 actors applied, and 30 auditions, we settled with these four:
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They all have immense improv talent (which I think is incredibly important in a comedy), and do lines better than I had pictured them. You can't really ask for more ^_^

We got a deal with Storyline Studios, Norway's leading grip studio, who lent us two RED ONE's and a RED EPIC as well as other grip equipment (Dolly, Jib, Rails, tripods, lights etc.) for the price of $0 (which is insane!), because they believe in the idea. In other words, we have equipment worth a total of $67 000, and our primary budget is simply $8000, haha.



As mentioned, I'll post here as frequently as I can. If you have any questions or want to say hi, leave a comment!
We post pictures and short updates on our facebook constantly: http://www.facebook.com/JARANDandJENS

See you later!
Jarand B. Herdal
 
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Day #1:
The scene was taking place inside a car, so we figured that rigging a suction cup like rig, holding the camera on the hood, was the best idea. This gave the whole scene a very "shady" look, since the camera bounced with this old car as it hit bumps in the road. This gave the scene a little charm though, that we think will make the scene better. However, later in the pilot we have a scene with a Porsche, where a rich guy is going to drive. Here we hope to mount the camera more steady, and not shake at all.
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And we crashed our van. This cost us $1200 we don't have, haha, so our budget took a drastic turn!
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Day #2,3, and 4
These days took place inside the main character's apartment. His best friend is a dedicated stoner, and has the mentality of a three-year old. So the place needed to look inhabited and shabby, yet not disgusting and livable. Our Production Designer gave the place a lovely charm, and by using 8 different lights- the place got a gloomy, and almost comfortable feel. We rigged several shots with dolly's, tripods and a jib here! i want to go so far as saying we got a slight Quentin Tarantino shot in there. Giving a little "creds" in your work, to the guys you love. These days were shot from 7pm, till 5am in the morning every day.
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Day #5
One of the coolest sets we've ever rigged! Seriously, just look at this place, haha ^_^ It's in the middle of three bars. Drunk people walked among our stuff, laughed at the main character who's dressed as a clown, and we felt a little scared among the crowd. But great we got some great shots! We lit the giant chandelier to give the picture more depth, and also used that as our fill light. We put a small ARRI 650W above the door, in which our Main character exits, and a big 2KW BLONDE to give the sharp look we wanted.
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Day #6: DANGER CLOSE
We were shooting another scene with Tim, the stoner buddy, in his car. We filled the entire car with smoke, and rolled the windows the second we said "action", so that we'd get a constant stream of smoke from the car's windows. The look we're aiming for is very inspired by Kiss Kiss Bang Bang. Sharp outlines, a lot of color and wet surroundings.


Our GRIP guy rigged a light (2kw Blonde) on top of the car that would drive next to the stoner's car, and a light that would hang behind the main character in order to give him a backlight.
(sorry for the bad quality on this pic)
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Day #7: THE COPS ARE HERE AGAIN

Clowne has a plotted out structure: every episode starts with a 30-60 second scene, then jumps to the title-intro. The title-intro is different per episode, and reflects on Gary's job as a clown, and his mood and relationship with other characters at the time. Then there's 25 minutes with content, before we jump to a montage, which will introduce the story of the next episode. On day 7 we started shooting this montage!

The series music is indie inspired, as we focus on a high quality indie look (not indie as in cheap, but as in a little more artsy than mainstream). The montage's music is very upbeat, so we played the music before shoot- so that the actors would run and move in the rhythm of the tune.


However, after three hours of shoot, two vans suddenly pulled over, with big capital letters reading: POLICE. This happens every single time we make movies (last time 8 armed police men pulled over with weapons drawn, even though we had talked to them on beforehand, haha). So we had to postpone a shot for the day after.


Day #8: MURPHY'S LAW

This day EVERYTHING went wrong. Location, props and actors all backed out, and we saw no solution but to add an extra day of shooting. Fingers crossed it works out then! Anwyays, added a picture of the set: our GRIP guy has the coolest way of rigging lights, haha

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Nice, very nice. I have been a subscriber to yours for a little while (and have been really wanting to watch Everywhen since I first saw the trailers release, looking forward to January to show it some support), I am MaxwellincStudios on Youtube. Overall this looks great and has a lot of creativity and it seems original which I always like (I can't stand the obsession with remakes these days!). BTW I really like the light mounted on your background support stand, might have to use that technique for a couple scenes to get consistent overhead lighting. I will definitely be following this.
 
Nice, very nice. I have been a subscriber to yours for a little while (and have been really wanting to watch Everywhen since I first saw the trailers release, looking forward to January to show it some support), I am MaxwellincStudios on Youtube. Overall this looks great and has a lot of creativity and it seems original which I always like (I can't stand the obsession with remakes these days!). BTW I really like the light mounted on your background support stand, might have to use that technique for a couple scenes to get consistent overhead lighting. I will definitely be following this.

Thanks a lot! Your comments are greatly appreciated :) Our GRIP guy smiled when you mentioned the rig. Good luck with your projects! follow us on facebook to stay tuned with the blu-ray release of EVERYWHEN :)

Looks good, I liked everything about the trailer.

Thanks!
 
totally amazing and im blown away! im looking forward to this! Subject matter right up my alley!

Think we gonna be working for you sonny!

plz share moar!
 
DAY #9
Another day in paradise!
We're back on the amazing set that we rigged on day #5! This time Rachael Støver, and Ruben Løfgren joined as the Norwegian and his translator. Big lights, drunk people, and great results.
We shot some incredible footage, which we managed to lit like Mad Men. When you're filming interior offices, you better learn from the best :)
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DAY #10
More montage! The cliche alley shot was done today. Lit up smoke with a CTO filter (orange), and the front with CTB (BLUE)- and there you go. Perfect.
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DAY #11 & 12
FINALLY, the RED EPIC is in our hands! And boy does it feel good! Compared to the One, this is much much easier to handle- especially with it's touch interface. The viewfinder we found incredibly small, though, and it's amount of detail is jaw-droppingly small. With an extra viewfinder however, things got amazingly awesome.

We shot a scene on a graveyard, where we put the framerate down to 120 fps. The day after we shot a scene in 270 fps, where the clown runs from a monkey- and ah, it's awesome!
(we look like retards here, but ignore that)
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DAY #13
A big scene, once again, with huge lights. We powered up a 4KW HMI, and two 2KW "ARRI" lights. This lit up an entire parking lot, where we shot a Porsche through it's foggy windows. The scene eventually looked like "DRIVE". We gave it a sharp backlight from above, and made it look like the moon. We then pointed two 2KW ARRIs through the windows, and created a big three-point-lighting system. Worked great :)

Put a small 650W behind leaves, put some smoke in there- and you got gorgeous sun rays. Love these things. Like porn to filmmakers.
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I can't wait til the day I get to work on some rigs like that, for now though my GH3 does me well for my indie projects. Those lights are downright incredible.
 
Some screens from the last days of shooting:
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Finally we're done. And wow, what an anti-climax, haha! First of all, the feeling of accomplishment is as great as ever, the feeling of getting close to a mental breakdown is quite big (considering the fact that in a month I'll be able to see how the film turned out), and excitement is at it's peak. We finished the 21st of October, the last shot being of a sex-doll. The shoot has been tremendously difficult, having dealt with murphy's law from day one, but the results have truly made up for it.

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Thank you for all your support, we hope to have a trailer ready by the end of November-ish

So stay tuned!


As always, like us on Facebook for quick updates: www.facebook.com/JARANDandJENS,
or follow us on twitter at @jarandandjens or @jbherdal (me)


Thanks!
 
You're too right. Adore these lights. They make the whole film :) Hey, I'm cheering for you! Got anything we can have a look at?
 
All I have on my channel is a short documentary about a tattoo legend (speaking of lights I wish I would have brought mine for this, as his overhead lighting at the office created yellow banding from the stupid active tubes inside of it), I have a couple Tucson basketball league games on there, and I have random VFX tests. I however have intentions to film a project tonight and tomorrow (as between me and my friends we finally have free time to work on it), and in Tucson AZ where I live there is the day of the dead parade which I may film to show some of the culture off. I am Maxwell Inc. Studios on YouTube if you want to see it, but remember that what you see there has nothing on the film we are making.

By the way love the lighting and atmosphere of the alley shot, it instantly made me want to know what was happening there.
You're too right. Adore these lights. They make the whole film :) Hey, I'm cheering for you! Got anything we can have a look at?
 
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