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Re: Procedure for uprezzing 4x3 letterbox to 16x9
[quote author=disjecta link=board=Events;num=1097870435;start=15#16 date=10/15/04 at 17:55:34]John,
Yes, captured to a regular 4x3 project/timeline via firewire. Nothing special there.
You export your footage from the regular 4x3 timeline but instead of exporting as a movie, you are exporting uncompressed TIFF frames.
After doing the Photozoom thing, you will then open up a new project that is widescreen and import the batch-processedd TIFFS (which are uncompressed, consider them photographs). If you specify that you want the batch brought in as a numbered sequence (in your NLE), your program will assemble the files into one movie file automatically.
At this point, it is uncompressed and needs to be recompressed as a DV AVI on your timeline (or Quicktime if you are on a Mac).
DV AVI is native to Windows NLEs and Quicktime is native to Mac NLEs. The reimported file does not conform to these file types so needs to be rendered on the timeline to conform.
Other than that, no special codecs or anything out of the norm is required.
[/quote]
Cool. Thanks for the reply.
I understand what you're saying, but I was wondering if there'd be some benefit to importing the "uncompressed" TIFF images (after PhotoZoom Pro) back into a higher codec timeline. When you "recompress" back to DV, I wonder if you're losing some final resolution. Don't get me wrong, it looks fantastic!
I was just wondering if there'd be some benefit to putting the "uprezzed" footage into...say...a DVC50...or DVCHD timeline for even higher resolution. Just thinking out loud. Don't mind my rantings.
[quote author=disjecta link=board=Events;num=1097870435;start=15#16 date=10/15/04 at 17:55:34]John,
Yes, captured to a regular 4x3 project/timeline via firewire. Nothing special there.
You export your footage from the regular 4x3 timeline but instead of exporting as a movie, you are exporting uncompressed TIFF frames.
After doing the Photozoom thing, you will then open up a new project that is widescreen and import the batch-processedd TIFFS (which are uncompressed, consider them photographs). If you specify that you want the batch brought in as a numbered sequence (in your NLE), your program will assemble the files into one movie file automatically.
At this point, it is uncompressed and needs to be recompressed as a DV AVI on your timeline (or Quicktime if you are on a Mac).
DV AVI is native to Windows NLEs and Quicktime is native to Mac NLEs. The reimported file does not conform to these file types so needs to be rendered on the timeline to conform.
Other than that, no special codecs or anything out of the norm is required.
[/quote]
Cool. Thanks for the reply.
I understand what you're saying, but I was wondering if there'd be some benefit to importing the "uncompressed" TIFF images (after PhotoZoom Pro) back into a higher codec timeline. When you "recompress" back to DV, I wonder if you're losing some final resolution. Don't get me wrong, it looks fantastic!
I was just wondering if there'd be some benefit to putting the "uprezzed" footage into...say...a DVC50...or DVCHD timeline for even higher resolution. Just thinking out loud. Don't mind my rantings.