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Guest
Guest
Hi there,
Wondering about peoples experiences with promist filters and the dvx100. Anyone using them for broadcast and/or film transfer end products? What number are they? Does anyone have online side-by-side comparisons of with and without promist filters in various lighting situations with the dvx100?
Also, how can the dvx100 handle blow-out / over exposure of windows etc?
Thanks for any info,
Dale
Wondering about peoples experiences with promist filters and the dvx100. Anyone using them for broadcast and/or film transfer end products? What number are they? Does anyone have online side-by-side comparisons of with and without promist filters in various lighting situations with the dvx100?
Also, how can the dvx100 handle blow-out / over exposure of windows etc?
Thanks for any info,
Dale