Stas_Tagios
Well-known member
While everyone else seems to be mainly discussing and debating the merits of P2, my biggest concern about the HDX200 is that it have a usable servo zoom, namely a servo control with the finesse and variability of a real ENG or cine lens, that can do a super slow creep and a super fast crash zoom.
Panasonic put a great servo zoom in their DVC30, that was far superior to the ones in both the DVX100 and the DVX100A, with a slow zoom that took 100 secs to traverse the entire zoom range, and a fast zoom that took a second or less. It would be wonderful if a similar servo control could be incorporated in the HDX200, without, of course, sacrificing the ability to disengage the servo for manual zooming.
The DVX100 is a hell of a camera, but the main drawback for me was its servo zoom, which lacked the finesse needed to do zoom creeps (a favorite technique of mine) and super fast zooms (though for these you can go manual), and to smoothly switch speeds during a zoom. Any DVX footage where I need a slow creep, I've had to resort to adding it in post, and there's always a limit to how much you can scale the image up before it becomes obvious, or down before you start seeing the frame borders.
The one more appealing aspect of JVC's new pro-HD camera over the HDX200 is the Fujinon lens, a real servo and manual lens. Of course, the HDX wins in virtually every other respect, at least from the initial specs and its ability to shoot real HD. With an improved servo zoom control, the HDX will be unstoppable.
Panasonic put a great servo zoom in their DVC30, that was far superior to the ones in both the DVX100 and the DVX100A, with a slow zoom that took 100 secs to traverse the entire zoom range, and a fast zoom that took a second or less. It would be wonderful if a similar servo control could be incorporated in the HDX200, without, of course, sacrificing the ability to disengage the servo for manual zooming.
The DVX100 is a hell of a camera, but the main drawback for me was its servo zoom, which lacked the finesse needed to do zoom creeps (a favorite technique of mine) and super fast zooms (though for these you can go manual), and to smoothly switch speeds during a zoom. Any DVX footage where I need a slow creep, I've had to resort to adding it in post, and there's always a limit to how much you can scale the image up before it becomes obvious, or down before you start seeing the frame borders.
The one more appealing aspect of JVC's new pro-HD camera over the HDX200 is the Fujinon lens, a real servo and manual lens. Of course, the HDX wins in virtually every other respect, at least from the initial specs and its ability to shoot real HD. With an improved servo zoom control, the HDX will be unstoppable.