Michael Carter
Veteran
Hey there audio folks. I've searched this forum (and DVinfo.net) extensively, but still don't quite get something... (but heck, I tried before pestering!)
I have a need for a lavalier setup, hard-wired. At this point it's strictly for testing -- to get some real-world understanding of lav use & placement, and real-ears comparisons with my "real" mics and booming. Even if I always rely on a sound pro on set, I have an obsessive need to know things -- lighting, monitoring, mixing, dialog, 24p vs. 60i, FCP, I'm there... but lavs are a new world for me.
The Giant Squid mono omni seems like a great choice for the above -- (I'll happily shell out big bucks later for pro-level stuff if needed -- this is just for learnin'). (Truth be told I'll happily shell out cash to someone with gear & know-how and just concentrate on yelling "BOOM'S IN THE SHOT, MAN...")
All my googling and reading points me to the non-powered version (as opposed to their mic and power pack combo) as this one supposedly delivers more gain. And remember, I'm not interested in VHF right now.
I come from the musical world of big, phantom powered condensers (and Sure 57's/58's) and view big, fat balanced XLR cables as my dear (and quiet) friends. How then does one hook up the little 1/8" squid plug to a DVX? 20 feet of skinny cable? Get a 5-footer and plug it into an impedance box with an XLR out. Pre-amp it with a nice portable pre and use the DVX line-in?
Or get the mic and power combo and a 20' or so 1/8" extension cable?
Is either model truly "balanced" in the sense of XLR-style noise cancellation? (My gut is sayin' "boost & balance that signal within 5-10 feet of the mic!")
Looking for the cleanest signal path and minimal fussiness. How does a DVX live happily with a squid?
Or, feel free to suggest an affordable alternative that fits my XLR-based worldview! Thanks all -- MC
I have a need for a lavalier setup, hard-wired. At this point it's strictly for testing -- to get some real-world understanding of lav use & placement, and real-ears comparisons with my "real" mics and booming. Even if I always rely on a sound pro on set, I have an obsessive need to know things -- lighting, monitoring, mixing, dialog, 24p vs. 60i, FCP, I'm there... but lavs are a new world for me.
The Giant Squid mono omni seems like a great choice for the above -- (I'll happily shell out big bucks later for pro-level stuff if needed -- this is just for learnin'). (Truth be told I'll happily shell out cash to someone with gear & know-how and just concentrate on yelling "BOOM'S IN THE SHOT, MAN...")
All my googling and reading points me to the non-powered version (as opposed to their mic and power pack combo) as this one supposedly delivers more gain. And remember, I'm not interested in VHF right now.
I come from the musical world of big, phantom powered condensers (and Sure 57's/58's) and view big, fat balanced XLR cables as my dear (and quiet) friends. How then does one hook up the little 1/8" squid plug to a DVX? 20 feet of skinny cable? Get a 5-footer and plug it into an impedance box with an XLR out. Pre-amp it with a nice portable pre and use the DVX line-in?
Or get the mic and power combo and a 20' or so 1/8" extension cable?
Is either model truly "balanced" in the sense of XLR-style noise cancellation? (My gut is sayin' "boost & balance that signal within 5-10 feet of the mic!")
Looking for the cleanest signal path and minimal fussiness. How does a DVX live happily with a squid?
Or, feel free to suggest an affordable alternative that fits my XLR-based worldview! Thanks all -- MC