It's common for you to send it to them with your scoring and with it unscored. The score you send them is known as a temp track. Lucas edited a lot of Star Wars to Wagner for example and then John Williams did some Wagneresque things.jamesh said:...
I'm a bit worried about sending someone my un-scored film. I kind of based the editing tempo around the music i found, i'm not sure if it would work with other music, but maybe these talented composers can re-create the magic, i've never used one, it's exciting.
So, any composers out there fancy taking a stab at my film. It's a seriously dark comedy. Am i allowed to post stills to drum up interest? or send the .mov file that i've just finnished?
Some composers will like to give it a try without listening to the temp track so that they have a completely original response to the film. Then work with the director to see what works better about the composers response or in the temp track and collaborate until they are both happy.
That is the way I have worked successfully with Herman Witkam on two occasions (see Bonehand and Rekindled on my website, linked below). But that is just one process and one way to work, but it works for us.
EDIT: Also these guys are too popular for you to get much of a response just throwing it out there in this thread. Check the spy fest subforum, there is at least one composer who has started a thread looking to get picked up. Beyond that look at composer threads from past fests and hit up the guys Norm and I listed individually in the member's list
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