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Yes, many times. Proprietary solutions are going to be more expensive than open market solutions. Where there are open market solutions, there are also generally trade-offs. Back in the tape days the shooter could decide to use cheap consumer level tape vs. a pro-level tape and that might be just fine in some cases.Well, we've been down that road before
but we hacked the cam with a combo of certain adapter+memory card which worked just fine.
I have no doubt you will be able to use high-end 3rd party SSDs, like Samsungs 840 Pro series, or the newer but not out yet, Evo series. The drives need to be able to write at more than ~520MBps. There is a guarantee on the CD drives though, so that may give piece of mind to some people, and if you are doing some shots that can't be easily repeated, than that is definitely something to consider.
I mean, CD isn't building the drives themselves, they are most likely buying a bunch of OEM drives, testing them heavily, and the ones that pass get a new label.
I'm not saying he can't/won't change his mind, but Dan Keaton has said that you can only use Convergent Design SSDs in the 7Q. Trust me, I'd love if we could use the 840 Pros, I just picked up an 840 Pro 256GB a few weeks back for $192, less than half the price of the CD drives. It would be nice to use third party drives, but I'm not banking on it.
I would never trust paid client work on anything other than tested and certified media from the manufacturer.
You are rolling the dice otherwise.
Our prices are (in the US):
256 GB SSD $395
512 GB SSD $795
It is a simple question of what is "good enough". Do you store your video backups in a specialized dry air facility in the mountains? No? Well, ideally you should since you don't want to jeopardize your clients' work.
But hey, for most cases, storing a backup on a separate drive, ideally in a separate building, is good enough.
IMHO same with the recording media. Sony also had a list of reasons why no-one should ever think of using anything else but their own media in their cameras. Of course their media cost X times more than say SD cards at the time, so a community of people like you and me came to develop a workaround. Sony then adapted that workaround as standard.
The same will happen with CD SSds - either their listed price should come down to maybe 1.5x the common ratio of GB/$, or they'll push a lot of people to try very hard to find a workaround, which will put pressure on CD to adapt anyway.
The reason for this is whether or not there's technical necessity.
With 4K/2K RAW, we are told the bandwidth of the signal is high and no other SSDs will sustain it. That's fine.
But with 10bit 422 ProRes.. or DNxHD... ? Is there a practical evidence that these compressed formats require anything more than a regular SSD to sustain reliable recording? I doubt it. Example: SI-2K camera, which records in 2K Cineform RAW, affords any 5400rpm HDD as media, with no problem. Compressed nature of the signal has low bandwidth. Fantastic images, BTW.
Then, I'd like to compartmentalize my purchases and buy, say, two CD SSDs for 4K and 2K HFR work, and the rest of them should be "regular" consumer grade SSDs that do sustain the recording rate of compressed HD formats reliably.
Makes sense? Dan?Or am I being a bad guy here?
Great to have you back on the forum, Dan. Thanks for answering the questions. And I saw you on the Zacuto video about the Odyssey7Q, great job! Now that July is has drawn to a close, how is August looking for the 7Q release? I've got my preorder in and I'm excited to get my hands on it!
It is a simple question of what is "good enough". Do you store your video backups in a specialized dry air facility in the mountains? No? Well, ideally you should since you don't want to jeopardize your clients' work.
But hey, for most cases, storing a backup on a separate drive, ideally in a separate building, is good enough.
IMHO same with the recording media. Sony also had a list of reasons why no-one should ever think of using anything else but their own media in their cameras. Of course their media cost X times more than say SD cards at the time, so a community of people like you and me came to develop a workaround. Sony then adapted that workaround as standard.
The same will happen with CD SSds - either their listed price should come down to maybe 1.5x the common ratio of GB/$, or they'll push a lot of people to try very hard to find a workaround, which will put pressure on CD to adapt anyway.
The reason for this is whether or not there's technical necessity.
With 4K/2K RAW, we are told the bandwidth of the signal is high and no other SSDs will sustain it. That's fine.
But with 10bit 422 ProRes.. or DNxHD... ? Is there a practical evidence that these compressed formats require anything more than a regular SSD to sustain reliable recording? I doubt it. Example: SI-2K camera, which records in 2K Cineform RAW, affords any 5400rpm HDD as media, with no problem. Compressed nature of the signal has low bandwidth. Fantastic images, BTW.
Then, I'd like to compartmentalize my purchases and buy, say, two CD SSDs for 4K and 2K HFR work, and the rest of them should be "regular" consumer grade SSDs that do sustain the recording rate of compressed HD formats reliably.
Makes sense? Dan?Or am I being a bad guy here?
We now have our 7.7" OLED Monitors fully calibrated and they look great.
Since calibrations change when one changes the brightness, we have performed three calibrations, one for Dim, Regular Brightness, and High Brightness.
This allows one to change the brightness while maintaining proper monitor calibration.
It is a simple question of what is "good enough". Do you store your video backups in a specialized dry air facility in the mountains? No? Well, ideally you should since you don't want to jeopardize your clients' work.
But hey, for most cases, storing a backup on a separate drive, ideally in a separate building, is good enough.
IMHO same with the recording media. Sony also had a list of reasons why no-one should ever think of using anything else but their own media in their cameras. Of course their media cost X times more than say SD cards at the time, so a community of people like you and me came to develop a workaround. Sony then adapted that workaround as standard.
The same will happen with CD SSds - either their listed price should come down to maybe 1.5x the common ratio of GB/$, or they'll push a lot of people to try very hard to find a workaround, which will put pressure on CD to adapt anyway.
The reason for this is whether or not there's technical necessity.
With 4K/2K RAW, we are told the bandwidth of the signal is high and no other SSDs will sustain it. That's fine.
But with 10bit 422 ProRes.. or DNxHD... ? Is there a practical evidence that these compressed formats require anything more than a regular SSD to sustain reliable recording? I doubt it. Example: SI-2K camera, which records in 2K Cineform RAW, affords any 5400rpm HDD as media, with no problem. Compressed nature of the signal has low bandwidth. Fantastic images, BTW.
Then, I'd like to compartmentalize my purchases and buy, say, two CD SSDs for 4K and 2K HFR work, and the rest of them should be "regular" consumer grade SSDs that do sustain the recording rate of compressed HD formats reliably.
Makes sense? Dan?Or am I being a bad guy here?