Nikon D3100 - 1080/24 + continuous auto-focus

Fahad

Veteran
http://imaging.nikon.com/products/imaging/lineup/digitalcamera/slr/d3100/spec.htm

Metering TTL exposure metering using main image sensor

Metering method Matrix

Frame size (pixels)
and frame rate

• 1,920 x 1,080 (24p): 24 fps (23.976 fps) • 1,280 x 720 (30p): 30 fps (29.97 fps)
• 1,280 x 720 (25p): 25 fps • 1,280 x 720 (24p): 24 fps (23.976 fps)
• 640 x 424 (24p): 24 fps (23.976 fps)

Maximum recording time 10 min.

File format MOV

Video compression H.264/MPEG-4 Advanced Video Coding

Audio recording format Linear PCM

Audio recording device Built-in monaural microphone

http://www.engadget.com/2010/08/19/...080p-movie-mode-with-continuous-aut/#comments

... the big news is the addition of a 1080p/24 H.264 AVCHD movie mode with continuous contrast-detect autofocus, complete with face detection and subject tracking...

http://nikonrumors.com/2010/08/13/g...eans-about-nikons-announcement-next-week.aspx
 
umm, manual control?

From Nikon's site:

Nikon said:
Movies can be recorded with the same aperture and other settings applied in Guide mode, and movies that take full advantage of the characteristics of individual interchangeable lenses, whether wide-angle, telephoto or fisheye, can be recorded for movies that are only possible with a digital-SLR camera. In addition, the camera also offers an AF-F (full-time servo AF) focus mode for movie recording. When AF-F mode is enabled, the camera focuses continuously during movie recording without the need for holding the shutter-release button down halfway. The D3100 also offers in-camera movie editing functions that allow users to save a single frame as a still image or delete unnecessary portions from the beginning or end of movie files.

Sounds like manual controls to me

http://www.nikon.com/about/news/2010/0819_d3100_01.htm
 
* low bitrate H.264
* only 1080p24 and 720p30
* 230Kdots 3" LCD

doesn't look promising at all... unless...
* the encoder is good enough that it works well at such low bitrate
* it doesn't use line skipping (in my book that would be much better than having 720p60)
* it outputs fullres HDMI while recording (a 7" monitor is bigger but not much more expensive than a zfinder)

or maybe this is just a toy and we can only hope the D95 (or the 60D) is the one to get it right... (I really want something without line skipping, please)
 
Besides the Nikon color rendering, the best one of the DSLR realm IMHO apart our well-known issues with resolution/definition of before and poor encoding to be seen (at least, we'll be here to see the improvements), this does seem promising:

AF-area modes for live view and movies - four AF-area modes depending on the subject: normal-area AF, wide-area AF, face-priority AF, and subject-tracking AF.

http://imaging.nikon.com/products/imaging/lineup/digitalcamera/slr/d3100/features03.htm#f04
 
Looking at dpreview there is shutter and aperture info in the display so manual seams possible. There is a flicker reducer 50/60hz which changes sample rate ( sensor readout? ) to reduce or eliminate screen/bulb flicker.

I miss 50/60p but it's nice to see Nikon stepping up the movie mode.
 
Do we have a confirm on the bit-rate of the AVCHD? Just because we're used to the original GH1 being bad, does not meant that the codec can't do okay at 20-24mbs just like some Canon consumer camcorders, etc. Depends a lot on how they implement it.
 
looking at the clip here...
http://imaging.nikon.com/products/imaging/lineup/microsite/d-movie/en/

I see no aliasing, but that could be because of the reduced res, or because someone successfully avoided it (I'm pretty bad at that game, but I know others are better)

what I see is an obscene amount of jell-o: a flower gently blowed by the wind should not wobble, period

in any case, we'll have to wait and see... and remember it's the cheapest Nikon model: if it comes close to the current D3000 prices ($450, instead of the D3100's suggested $700), or if it indeed isn't line-skipping, then it will be a serious option for some budgets/needs (I think I might be better at avoiding wobble than I am at avoiding aliasing)
 
To little to late nikon. The majority of the film industry is already on board with canon. I waited, and waited and waited with my d90 in hand waiting for a firmware or something that woudl allow me to stay a nikononian as i had been for nearly 30 years, but you didnt respond.

Canon, took the initiative and took control of a market that you created, and now you think throwing the market a small bone all this time later is going to make a difference?

All the people who ever cared, have already switched camps. I wont be switching back for this.

Sorry.

jon!
 
the bitrate is indirectly stated in the FAQ:
http://imaging.nikon.com/products/imaging/lineup/microsite/d-movie/en/faq/index.htm

1400MB/10min = 140MB/min = 2.33MB/s = 18.66 Mbps

that isn't necessarily insufficient, but the coder will have to be good, otherwise there'll be mud
(my "2001 A Space Odissey" BluRay comes at 13Mbps and looks fine; that's an extreme example, as there's so little image entropy in most of that film, but many others come close to 20Mbps and some of them are OK)
 
(my "2001 A Space Odissey" BluRay comes at 13Mbps and looks fine; that's an extreme example, as there's so little image entropy in most of that film, but many others come close to 20Mbps and some of them are OK)

The bit rate there is because of the aspect ratio of 2001 - if it were 16:9, it would be far higher, maybe even double.
 
It's about time they went full HD, it's a low end camera so not expecting groundbreaking but would have liked it to have at least matched the T2i with 1080p 25p...

Hopefully this is a sign of a step up in the game for Nikon. What I want is full HD and that amazing noise reduction chip from the D3s
 
The bit rate there is because of the aspect ratio of 2001 - if it were 16:9, it would be far higher, maybe even double.

no, it's entropy: the bluray is VC-1 at 13.1 Mbps for 1920 x 1080 (1.778) at 23.976 fps
(I know VC-1 is not AVC, but in terms of efficiency it's basically the same)

EDIT: (not right, corrected below)
 
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Any word on the HDMI output?

so far, only that it is totally needed: the LCD is 3" but only 230K dots (320x240 or so)

in any case, consider this size comparison, to see what this camera is supposed to be:
http://a.img-dpreview.com/previews/Nikond3100/Images/comparedtocanonsony.jpg

at current D3000 prices, I could buy one of these just to kill time for a year or two as I wait for some manufacturer to give me something like the t2i, but without line-skipping, for under $1000 (so far, my strategy has been to spend my money on lenses, tripods, mic, H4n, etc., and borrow the body; for $400, I could stop nagging my friends)

(did I say one or two years? I mean: I want the 60D to be that camera, and I want it for $900 in september, thankyouverymuch)
 
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no, it's entropy: the bluray is VC-1 at 13.1 Mbps for 1920 x 1080 (1.778) at 23.976 fps
(I know VC-1 is not AVC, but in terms of efficiency it's basically the same)

2001 is 2.21:1 - so most of the encode is black as it's not stored in anamorphic, it's a 16:9 file with bars. The black compresses to near 0 bits per frame.
 
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