LiamR
Well-known member
Late february I went over to new zealand to do some filming, once we got to the location, I turned the camera on and had a look through the view finder.... it was pitch black (lens cap wasn't on), boosted the gain up to around 18dB (what I feel comfortable shooting at) this was OUTDOORS don't forget (I shoot at high shutter speeds, 1/2500) and it was still very much so pitch black, this was with my normal PP, which is a mixture of Abel Cine Range and some tweaks on my behalf. I had my fastest lens on which is my FD 50mm f1.4, so I flicked through some of the other profiles and it landed on PP 5, which is G-LOG 1.1 and it was very, very bright (at 18dB), so I dialed it back to something useable and thought to myself, I'm in an amazing country, for 2 days, should I take this risk.................and I did.
After every shot I wondered if it was going to look good or not after I had graded it, I don't have ANY expertise with color grading at all, just from playing around in FCP / Magic Bullet, so it had me a bit worried. I didn't have to worry much about skin tones, given they're wearing helmets, but the gear they're wearing had me a bit curious as to how it would re-act, considering how orange it is. Got the footage back and started to play around with it and wow, this camera is a god amongst men.
Before:
After:
I did shoot a couple of shots without helmets/gear on, where I had a go at getting the skin tones as best as I could, here are my results.
*we dont really have any paiste white mountain bike riders in australia, they're all tanned. (which causes that orange)
Before this, the only time I had shot with G-LOG 1.1 was on a shoot with one of my mates, not for a client or any release, just for fun basically, and what intrigues me the most is after I shot this stuff in new zealand (which I was blown away by) I went back to Australia and had a go with it on a couple of other shoots, and it just fell apart, it didn't look good at all, the colors were all over the place. I haven't shot with it since, but maybe there is something magical in New Zealand, haha!
Here's the video anyway.
After every shot I wondered if it was going to look good or not after I had graded it, I don't have ANY expertise with color grading at all, just from playing around in FCP / Magic Bullet, so it had me a bit worried. I didn't have to worry much about skin tones, given they're wearing helmets, but the gear they're wearing had me a bit curious as to how it would re-act, considering how orange it is. Got the footage back and started to play around with it and wow, this camera is a god amongst men.
Before:
After:
I did shoot a couple of shots without helmets/gear on, where I had a go at getting the skin tones as best as I could, here are my results.
*we dont really have any paiste white mountain bike riders in australia, they're all tanned. (which causes that orange)
Before this, the only time I had shot with G-LOG 1.1 was on a shoot with one of my mates, not for a client or any release, just for fun basically, and what intrigues me the most is after I shot this stuff in new zealand (which I was blown away by) I went back to Australia and had a go with it on a couple of other shoots, and it just fell apart, it didn't look good at all, the colors were all over the place. I haven't shot with it since, but maybe there is something magical in New Zealand, haha!
Here's the video anyway.