New spot shot with F3

Really looks great. This camera makes 4:2:0 look better than ever. I have done several jobs now recording to KiProMini---looks identical to the stuff off the SxS cards. Blow it up 300% and you see difference in detail. Unless I have a green screen job, I am not bothering with KPM anymore. We don't shoot to grade.
 
VERY nice - Lighting? Lenses? Anything you care to discuss?

BTW - Anyone who says you can't tell F3, Red, etc. from DSLRs on compressed web videos needs an eye doctor. F3 color alone is leagues ahead.
 
Lighting varied from Kino's to 2K. Kino's and Lite Panels indoors plus a 2K shooting into the window for the interview. Outdoors lots of reflectors and 2k's. As mentioned I used Zeiss CP's. Mostly the 50mm and 85mm.
 
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