Mitch Gross
Veteran
I look at the autocolor and then the skin enhancement as tools for doc-style or one man band type work. If I have a bit of time or more than a single utility guy to help then I probably wouldn't bother with them, but that's not what a lot of shoot are these days. Sometimes you get 15 minutes to set up and go, and for that I can see using these tools. The skin enhancement is a consistent relative shift, and the way I understand it is that the color meter takes a reading of the ambient light and then adds the appropriate shift for skin enhancement. That way no matter what lighting conditions you face the effect of the skin enhancement will appear consistent. I'm not saying that it is therefore the best look for all skin tones or that it is even desirable in all shooting situations, but at least that's how the technology is devised.
As a "gimmick" I at least appreciate that these are features that one must choose to use, as opposed to the crap like localized dimming and smooth motion flow on most TVs that I have to fight just to figure out how to turn off. Just having a color meter built in that tells me what the light is actually outputting v some generic setting that you hope is somewhere close to correct is quite welcome. I believe Hive is planning to add something similar to its plasma lights, but it will just be a color meter readout while you still adjust the color manually.
In the end what I really like is that it is a big flat soft fixture in the same sizes as my favorite soft boxes. But there's no heat, no fussing around setting it up, and it doesn't take up a huge footprint on location. I can take the 2x3' and instantly substitute it for a BJ with a small Chimera. Because there's no heat I can even bring it in closer to the subject, getting the wrap of a medium Chimera. Sold. If I want that full medium Chimera size I can go to the 3x4' model. Done.
This is essentially a tool that allows me to light the way I like to light already, but let's me do it with less heat, adjustable color, when I don't have as much crew/time, and on batteries if necessary. That's what I like about it.
As a "gimmick" I at least appreciate that these are features that one must choose to use, as opposed to the crap like localized dimming and smooth motion flow on most TVs that I have to fight just to figure out how to turn off. Just having a color meter built in that tells me what the light is actually outputting v some generic setting that you hope is somewhere close to correct is quite welcome. I believe Hive is planning to add something similar to its plasma lights, but it will just be a color meter readout while you still adjust the color manually.
In the end what I really like is that it is a big flat soft fixture in the same sizes as my favorite soft boxes. But there's no heat, no fussing around setting it up, and it doesn't take up a huge footprint on location. I can take the 2x3' and instantly substitute it for a BJ with a small Chimera. Because there's no heat I can even bring it in closer to the subject, getting the wrap of a medium Chimera. Sold. If I want that full medium Chimera size I can go to the 3x4' model. Done.
This is essentially a tool that allows me to light the way I like to light already, but let's me do it with less heat, adjustable color, when I don't have as much crew/time, and on batteries if necessary. That's what I like about it.