Unlike 3D, one big difference in this round is that 4K has the backing of Silicon Valley. New media wants to take a big bite of old media's $160+ billion yearly ad dollars and 4K is one of the major weapons in the Silicon Valley vs. Hollywood milkshake drinking strategy. Silicon Valley wants New Media to be what Cable was to Broadcast TV, and slowly, it's happening. Here are the sequence of events that have led up to this and will occur soon:
• Apple's "Retina" marketing scheme takes flight. Everyone races to increase their ppi's. Consumers become used to 300+ppi on all devices and begin to expect it.
• Google launches fiber in Kansas City. When they announce fiber in Austin, AT&T announces their own fiber to compete. Watch this trend continue.
• Netflix + all other streaming services upgrade to 4K capable streaming. On an infrastructure level, it's pretty easy for them, servers are already in place to re-encode everything. They're only dependent on bandwidth, which Google is trying to take care of.
• hvec/h.265 compression helps out even further with bandwidth.
• Netflix's big risk to independently finance House of Cards for $100 million pays off (according to the internet)
• TV manufacturers attempt to push 4K onto consumers.
• Apple announces 4K Apple Retina TV with great fanfare.
I believe Apple's announcement is the key to all this working. Like others have stated, 4K by itself probably won't be enough to persuade consumers to upgrade. But the Apple factor might. And as this will potentially be the first new product announcement for Tim Cook, I'd imagine a lot is at stake for Apple to get this right.
Content-wise, as stated above, the current broadcast infrastructure cannot and will not support 4K for a very long time. As such, there will be little incentive for studios to embrace a 4K pipeline. That being said, this will create a strong opening and advantage for indie filmmakers & indie studios who are agile enough to adopt 4K. With major tech advances, the 4K playing field is definitely within reach for indies. And with more production money being pumped into Netflix, Hulu, Youtube, Blip.TV, etc, quality of programming should increase across the board as well.
This is probably three to five years away from reaching ubiquity, as it will require some major elements to fall into place from several different players. The two biggest factors being an accelerated fiber roll-out in the US and Apple's marketing ability for their Retina TV. Plus, Hollywood is not about to let this go down without a big fight. If it happens though, it surely won't wipe out broadcast media, but it may very well cause a good amount of consolidation and redistribution of power in Hollywood. Say good-bye to 500+ cable channels (finally).
It's a great time to be an indie filmmaker though, as the shake-up should allow a slew of opportunities for emerging talent to rise. And hopefully, allow for some great stories to be told.
• Apple's "Retina" marketing scheme takes flight. Everyone races to increase their ppi's. Consumers become used to 300+ppi on all devices and begin to expect it.
• Google launches fiber in Kansas City. When they announce fiber in Austin, AT&T announces their own fiber to compete. Watch this trend continue.
• Netflix + all other streaming services upgrade to 4K capable streaming. On an infrastructure level, it's pretty easy for them, servers are already in place to re-encode everything. They're only dependent on bandwidth, which Google is trying to take care of.
• hvec/h.265 compression helps out even further with bandwidth.
• Netflix's big risk to independently finance House of Cards for $100 million pays off (according to the internet)
• TV manufacturers attempt to push 4K onto consumers.
• Apple announces 4K Apple Retina TV with great fanfare.
I believe Apple's announcement is the key to all this working. Like others have stated, 4K by itself probably won't be enough to persuade consumers to upgrade. But the Apple factor might. And as this will potentially be the first new product announcement for Tim Cook, I'd imagine a lot is at stake for Apple to get this right.
Content-wise, as stated above, the current broadcast infrastructure cannot and will not support 4K for a very long time. As such, there will be little incentive for studios to embrace a 4K pipeline. That being said, this will create a strong opening and advantage for indie filmmakers & indie studios who are agile enough to adopt 4K. With major tech advances, the 4K playing field is definitely within reach for indies. And with more production money being pumped into Netflix, Hulu, Youtube, Blip.TV, etc, quality of programming should increase across the board as well.
This is probably three to five years away from reaching ubiquity, as it will require some major elements to fall into place from several different players. The two biggest factors being an accelerated fiber roll-out in the US and Apple's marketing ability for their Retina TV. Plus, Hollywood is not about to let this go down without a big fight. If it happens though, it surely won't wipe out broadcast media, but it may very well cause a good amount of consolidation and redistribution of power in Hollywood. Say good-bye to 500+ cable channels (finally).
It's a great time to be an indie filmmaker though, as the shake-up should allow a slew of opportunities for emerging talent to rise. And hopefully, allow for some great stories to be told.