I actually filmed this in November of 2012 but for a number of reasons out of my control it was released just recently.
As far as the shoot and tech goes it's as straight forward as it gets; one camera, one light, one lens, one take, one angle, no edits.
Shot with my F3 in s-log to a Samurai in ProRes HQ. I believe I used 800iso, I know I had plenty of light as it was a Joker 400 w/fresnel lens, I may of even ND'd it because we wanted to shoot wide open at 2.8 so the point source lights would be perfectly round when we racked out of focus. Well at least the ones in the center of the frame.
Lens was a Nikon 17-55 2.8 @ 55 and 2.8. It was graded at a good post house but I was unable to make the grading session.
The ol' F3 still looks as good as ever..
Produced & directed by the Leo Burnett agency in NY.
www.lbny.com/
Musician:
Sofie Zamchick
Director:
Kieran Antill & Michael Canning
DP:
Bill Thomas
As far as the shoot and tech goes it's as straight forward as it gets; one camera, one light, one lens, one take, one angle, no edits.
Shot with my F3 in s-log to a Samurai in ProRes HQ. I believe I used 800iso, I know I had plenty of light as it was a Joker 400 w/fresnel lens, I may of even ND'd it because we wanted to shoot wide open at 2.8 so the point source lights would be perfectly round when we racked out of focus. Well at least the ones in the center of the frame.
Lens was a Nikon 17-55 2.8 @ 55 and 2.8. It was graded at a good post house but I was unable to make the grading session.
The ol' F3 still looks as good as ever..
Produced & directed by the Leo Burnett agency in NY.
www.lbny.com/
Musician:
Sofie Zamchick
Director:
Kieran Antill & Michael Canning
DP:
Bill Thomas