Barry_Green
Moderator
Okay, I finally got ahold of the rest of the JVC footage we shot side-by-side with the DVX, so I can post some more comparative clips. I'm not bothering with the standard-def versions because nobody seems to care, so here are the high-def versions:
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-West-WalkUp.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-West-WalkUp.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-West-Gun.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-West-Gun.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-Matrix-720.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-Matrix.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-WestECU.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-WestECU.mpg
For those tuning in late, these clips represent a side-by-side shootout between the JVC HD1 and the DVX100/anamorphic/24PA. None of the footage was touched in post in any way -- this is straight off the firewire. While the frames are not exactly identical between each shot, they're of substantially the same subject. Differences in framing are due to the fact that both cameras were rolling side-by-side (except for the 'matrix' clip).
The DVX was then up-rezzed to high-definition 1280 x 720 using S-Spline Pro, using the "photo" preset. That's the only post-processing that was done to any of these clips (and accounts for the "watermark" in the footage. The question is whether the JVC's higher resolution makes it a more compelling choice, or if the DVX's low-res footage could survive an up-rez to compete against the natively-higher-resolution JVC.
These are fairly large clips, 6 seconds or so each, so they'll take a while to download. They're 1280 x 720 x 24P (DVX) or 30P (JVC) MPG2 files, so to play them back at full speed you'll need a F A S T computer.
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-West-WalkUp.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-West-WalkUp.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-West-Gun.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-West-Gun.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-Matrix-720.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-Matrix.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/DVX-WestECU.mpg
http://66.78.26.9/~fiercely/DVXvsJVC/JVC-WestECU.mpg
For those tuning in late, these clips represent a side-by-side shootout between the JVC HD1 and the DVX100/anamorphic/24PA. None of the footage was touched in post in any way -- this is straight off the firewire. While the frames are not exactly identical between each shot, they're of substantially the same subject. Differences in framing are due to the fact that both cameras were rolling side-by-side (except for the 'matrix' clip).
The DVX was then up-rezzed to high-definition 1280 x 720 using S-Spline Pro, using the "photo" preset. That's the only post-processing that was done to any of these clips (and accounts for the "watermark" in the footage. The question is whether the JVC's higher resolution makes it a more compelling choice, or if the DVX's low-res footage could survive an up-rez to compete against the natively-higher-resolution JVC.
These are fairly large clips, 6 seconds or so each, so they'll take a while to download. They're 1280 x 720 x 24P (DVX) or 30P (JVC) MPG2 files, so to play them back at full speed you'll need a F A S T computer.