F3: Matching the F3 to the Ursa Mini 4.6k?

[ReelFilmGeek]

Got a last minute shoot pop up and will be shooting with the F3 and the Ursa Mini 4.6k, so does anyone have suggestions on the best way to get these two to match? Will be recording Pro Res on the Ursa, and trying to get my hands on an external recorder for the F3, but if I can't then It will be recording internal which will lead to the choice of using Cinegamma or s log.

 

[NorBro]

If possible, I would shoot RAW. If not, I would use the FILM dynamic range for ProRes.

I never dug through the F3 menu and not sure/don't remember if you can "paint it" to look like the UM, but at least with RAW in the UM you'll have more flexibility in post.

 

[Harry Lime]

Could get tricky. The 4.6k has a real distinctive look in the reds and cyans, while the F3 is very color neutral.
Make sure you shoot a color chart for both. That could be of great help in Resolve etc