matching pulldown

dougspice

Veteran
In a purely hypothetical world, say there was a bunch of stuff that was shot in 24pA. And then say that somehow, during that same shoot, there were 3 tapes that accidentally got shot in 24p Standard. What would be the best way to match up the pulldown for those 3 tapes? I'm working in FCP but could get my hands on whatever's necessary or even run it through hardware if needed.
 
If you were editing in Vegas you could drop all the clips on the timeline and edit them together, no hassles. I don't know if FCP can do the same; hopefully some FCP experts will write in and address your situation.
 
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