Hello All.
As stated above regularly do shoots matching an EX3 and PMW350. Its always a challenge no matter what picture profile settings for each we start with. The Sony factory set profiles do not correspond in any way. Have tried to get it as universal as possible, not as dramatic as the Abel 5D PP, but doesn't seem like any of the standards out there that I have found match too closely. Anyone have a system or mutual profile setting that has worked in the past or at least gotten the cameras reasonably close. There are of course many variables at play here including the PP menu options, how each camera reacts to specific lighting, and lensing but I'm sure there is some PP for each that will give us a better starting point.
Looking for a good basic profile for each to start with. Have the Abel 5D on the EX-3, might end up trying that on the PMW350, but its a bit more dramatic a look then we are going for on most projects. Current shoot we have next with this camera combo is a green screen corporate affair so a not to cinematic option would be ideal.
Any assistance or input is appreciated.
Thanks
Mark
As stated above regularly do shoots matching an EX3 and PMW350. Its always a challenge no matter what picture profile settings for each we start with. The Sony factory set profiles do not correspond in any way. Have tried to get it as universal as possible, not as dramatic as the Abel 5D PP, but doesn't seem like any of the standards out there that I have found match too closely. Anyone have a system or mutual profile setting that has worked in the past or at least gotten the cameras reasonably close. There are of course many variables at play here including the PP menu options, how each camera reacts to specific lighting, and lensing but I'm sure there is some PP for each that will give us a better starting point.
Looking for a good basic profile for each to start with. Have the Abel 5D on the EX-3, might end up trying that on the PMW350, but its a bit more dramatic a look then we are going for on most projects. Current shoot we have next with this camera combo is a green screen corporate affair so a not to cinematic option would be ideal.
Any assistance or input is appreciated.
Thanks
Mark