I recently invested some time into tweaking GH2 Film Mode/White Balance settings and AF100 Scene File settings to match each other more closely. Unfortunately, the built-in gamma curves available on the AF100 all produce noticeably higher contrast than the GH2 in Smooth Film Mode with Contrast at -2. The AF100 gamma curve with the lowest contrast is CINE-LIKE D, but its highlights are still a bit extreme compared to the GH2's. To my eyes, this gives the AF100's highlights a telltale videocam edge reminiscent of the HVX200.
Initially, I went with the general consensus here on the AF100 forum, and set the AF100's Detail Level to -4. That seems to be considered fairly sharp by most AF100 afficionados:
http://blog.abelcine.com/2011/04/06/af100-scene-files-created-by-abelcine/
The results I saw from that approach, however, were disappointingly soft compared to the look of the GH2 using Flow Motion v2. I eventually boosted Detail Level up to -2 and found that the key to matching the GH2 was to adjust the AF100's Master Pedestal down to -9. That also crushes most of the low-level sensor noise from the CINE-LIKE D gamma curve, and allowed me to reduce Detail Coring to the minimum at -7. To my eyes, this produces a major improvement in image quality, making AF100 footage look much more like the GH2:
Sorry about the discrepancy in framing, it's due to the GH2's slightly different crop factor and the height of its lens mount. Here are the settings I used on the GH2 and AF100, which I think produce a more pleasing daylight color balance than the defaults on both cameras:
GH2 Daylight Settings
Film Mode Smooth
Contrast -2
Sharpness -2
Saturation -1
Noise Reduce -2
WB Daylight
A-3
M-2
AF100 Daylight Scene File
Gamma CINE-LIKE D
Matrix NORM2
Detail Level -2
V Detail Level -2
Detail Coring -7
Chroma Level -1
Chroma Phase 0
Master Ped -9
DRS OFF
Skin tone DTL OFF
Initially, I went with the general consensus here on the AF100 forum, and set the AF100's Detail Level to -4. That seems to be considered fairly sharp by most AF100 afficionados:
http://blog.abelcine.com/2011/04/06/af100-scene-files-created-by-abelcine/
The results I saw from that approach, however, were disappointingly soft compared to the look of the GH2 using Flow Motion v2. I eventually boosted Detail Level up to -2 and found that the key to matching the GH2 was to adjust the AF100's Master Pedestal down to -9. That also crushes most of the low-level sensor noise from the CINE-LIKE D gamma curve, and allowed me to reduce Detail Coring to the minimum at -7. To my eyes, this produces a major improvement in image quality, making AF100 footage look much more like the GH2:
Sorry about the discrepancy in framing, it's due to the GH2's slightly different crop factor and the height of its lens mount. Here are the settings I used on the GH2 and AF100, which I think produce a more pleasing daylight color balance than the defaults on both cameras:
GH2 Daylight Settings
Film Mode Smooth
Contrast -2
Sharpness -2
Saturation -1
Noise Reduce -2
WB Daylight
A-3
M-2
AF100 Daylight Scene File
Gamma CINE-LIKE D
Matrix NORM2
Detail Level -2
V Detail Level -2
Detail Coring -7
Chroma Level -1
Chroma Phase 0
Master Ped -9
DRS OFF
Skin tone DTL OFF
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