Hey guys,
I've got a studio shoot next week where we are using 4 Sony D50 studio cameras (run into a mixer) and we are looking to use the AF as an isolated record wide cover. We did the same set-up earlier in the year but used a Sony Z5 as the wide, and it didn't cut in well with the D50s. If anyone has any tips, tricks or comments on how we can get the AF to match up as much as possible with the Sony D50, that'd be great. We are looking to use the panasonic 14-45, but we do have a 35 Zeiss prime we could possibly use (may not be wide enough for the studio space).
I've got a studio shoot next week where we are using 4 Sony D50 studio cameras (run into a mixer) and we are looking to use the AF as an isolated record wide cover. We did the same set-up earlier in the year but used a Sony Z5 as the wide, and it didn't cut in well with the D50s. If anyone has any tips, tricks or comments on how we can get the AF to match up as much as possible with the Sony D50, that'd be great. We are looking to use the panasonic 14-45, but we do have a 35 Zeiss prime we could possibly use (may not be wide enough for the studio space).